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                <text>Catalogue de l'exposition &lt;strong&gt;&lt;em&gt;Daily bul and c°&lt;/em&gt;&lt;/strong&gt; organisée en 1976.</text>
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&lt;li&gt; Documents anthologiques&lt;/li&gt;
&lt;li&gt;Dictionnaire de références&lt;/li&gt;
&lt;li&gt;Participations&lt;/li&gt;
&lt;li&gt;Tract : &lt;strong&gt;&lt;em&gt;Prise de position&lt;/em&gt;&lt;/strong&gt;&lt;/li&gt;
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                <text>De la léguminologie considérée comme un des beaux-arts&#13;
&#13;
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&#13;
Il y a là de superbes bonheurs d'écriture : du cornichon grenu, Balthazar imagine que « cette virgule à peau nue doit aimer le braille. » Et le cerfeuil posé sur la peau mate dune tomate : « Comme la trace d'une patte de passereau d'eau douce, en étoile à quatre doigts, sur cette calotte de cardinal, le brin de cerfeuil et sa ponctuation définitive, in­dispensable. Parfois une crevette nue y ajoutait sa friandise de nymphette. » Il y a là aussi de superbes bonheurs d'image : celle de Roland Breucker, qui croit aux ver­tus de la longue patience, serre de près le texte et le sert ironiquement, tendrement, fantastiquement, par des collages et de minu­tieux dessins, ombrés, grisés, au crayon. A quand un autre livre de nos distingués léguminologues ? L'épinard, le chicon, le cresson, le potiron, le rutabaga et la patate se ratatinent et se morfondent...&#13;
&#13;
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&lt;li&gt;Ce qu'il avait cherché, alors...&lt;/li&gt;
&lt;li&gt;Palamos, août 1955&lt;/li&gt;
&lt;li&gt;Le temps de la réflexion&lt;/li&gt;
&lt;li&gt;Ces paysages immobiles&lt;/li&gt;
&lt;li&gt;Une certaine grâce,  une certaine cruauté...&lt;/li&gt;
&lt;li&gt;Dans les parages de Bauduc&lt;/li&gt;
&lt;li&gt;Mais quels exils ?&lt;/li&gt;
&lt;li&gt;Ces plaines,  ces sables,  ces mers...&lt;/li&gt;
&lt;li&gt;Tauromachie&lt;/li&gt;
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                <text>Gaston Bachelard à Jacques Meuris, à propos de ce livre :&lt;br /&gt;&lt;br /&gt; "Bien souvent, j'allais voir l'aube noire se lever sur Paris ; j'entendais la pluie battre sur les vitres et je revenais rêver avec vous. Rêver en lisant, se souvenir sur l'exemple d'un écrivain qui sait se souvenir, aller à son exemple vers des forêts personnelles, celles d'un jadis qui ne reviendra plus, voilà à quoi j'ai rêvé dans ces heures d'avant l'aube. (...)&lt;br /&gt;Autant de connaissances qui deviennent rares. Vous savez aussi que les frissons troublent les miroirs. (...)&lt;br /&gt;Oh ! ne me laissez rien ignorer de ce que vous écrivez"</text>
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