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&#13;
Une enquête, deux questions : &#13;
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                <text>Comme le miroir se joue de la réflexion, voici 25 ans que la Pensée Bul tourne le dos aux &lt;em&gt;concepts&lt;/em&gt;, Cette position, confortable pour les uns, incommode pour d'autres, permet à cette pensée - le plus souvent adéquate - de résoudre beaucoup d'anxiétés philosophiques et esthétiques. &lt;br /&gt;Dans ce dernier &lt;em&gt;champ&lt;/em&gt;, et plus précisément celui de l'art, la Pensée Bul peut promener allègrement sa charrue, comme les paysans de Millet le fesaient dans le &lt;em&gt;champ&lt;/em&gt; de la pomme de terre. &lt;br /&gt;Grâce à nos amis artistes, à leurs propos, à leurs images, la notion d'&lt;em&gt;art bul&lt;/em&gt; reste plus que jamais pragmatique. Un quart de siècle a déjà permis d'en faire un bilan. Bilan, comme la mer, toujours recommencé.&lt;br /&gt;&lt;div style="text-align:right;"&gt;André Balthazar et Pol Bury&lt;/div&gt;</text>
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&lt;li&gt;Ministre des organes culturels&lt;/li&gt;&#13;
&lt;li&gt;Ministre aux régions subalternes&lt;/li&gt;&#13;
&lt;li&gt;Secrétaire d'état à la diphtongue&lt;/li&gt;&#13;
&lt;li&gt;Ministre du calembour territorial&lt;/li&gt;&#13;
&lt;li&gt;Ministre aux intempéries régionales&lt;/li&gt;&#13;
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