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&lt;div style="text-align: right;"&gt;&lt;br /&gt;Joseph Noiret&lt;br /&gt;Extrait de Phantomas, n° 78/82, Homo Ludens, décembre 1968&lt;/div&gt;</text>
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&lt;li&gt;O toi soutine&lt;/li&gt;
&lt;li&gt;Passage&lt;/li&gt;
&lt;li&gt;Psychanalyse du sel&lt;/li&gt;
&lt;li&gt;La taverne après le cinéma&lt;/li&gt;
&lt;li&gt;[Non titré]&lt;/li&gt;
&lt;li&gt;Réticence ou dernière fois&lt;/li&gt;
&lt;li&gt;Les archives&lt;/li&gt;
&lt;li&gt;Un soir&lt;/li&gt;
&lt;/ul&gt;</text>
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&#13;
Une centaine de petits poèmes en prose oc­cupent le creux des pages où s'imprègne, par d'habiles combinaisons, le tremblement de l'être qui se découvre vivant dans l'uni­vers — doté de sens et doué de raison — et ne cesse de s'en étonner. Toutes sortes de chimies, éthers déliant les langues, amphi­théâtres de poussière ou souvenirs d'en­fance, sont capables de mettre en branle les mécanismes de son esprit curieux.&#13;
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&lt;li&gt;Les Françaises&lt;/li&gt;
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&lt;li&gt;La robe du Tage&lt;/li&gt;
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&#13;
J'ai retrouvé une charmante petite plaquette numérotée et gentiment dédicacée par l'auteur, intitulée "Bestiaire" , dédiée à Michel Butor, parue en 1979 en Belgique aux prestigieuses éditions  Daily-Bul dans la collection 'Les Poquettes Volantes". En voici quelques extraits pour passer le temps, les fêtes sont parfois si ennuyeuses....&#13;
&#13;
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&lt;li&gt;L'asperge&lt;/li&gt;&#13;
&lt;li&gt;L'aubergine&lt;/li&gt;&#13;
&lt;li&gt;La bette&lt;/li&gt;&#13;
&lt;li&gt;La betterave&lt;/li&gt;&#13;
&lt;li&gt;La carotte&lt;/li&gt;&#13;
&lt;li&gt;Le céleri&lt;/li&gt;&#13;
&lt;li&gt;Le cerfeuil&lt;/li&gt;&#13;
&lt;li&gt;Le champignon&lt;/li&gt;&#13;
&lt;li&gt;Le chou&lt;/li&gt;&#13;
&lt;li&gt;Le clou de girofle&lt;/li&gt;&#13;
&lt;li&gt;Le cornichon&lt;/li&gt;&#13;
&lt;li&gt;La courge&lt;/li&gt;&#13;
&lt;li&gt;La fève&lt;/li&gt;&#13;
&lt;li&gt;Le haricot&lt;/li&gt;&#13;
&lt;li&gt;Le navet&lt;/li&gt;&#13;
&lt;li&gt;L'oignon&lt;/li&gt;&#13;
&lt;li&gt;L'oseille&lt;/li&gt;&#13;
&lt;li&gt;Le persil&lt;/li&gt;&#13;
&lt;li&gt;Le petit pois&lt;/li&gt;&#13;
&lt;li&gt;Le poireau&lt;/li&gt;&#13;
&lt;li&gt;Le pubis&lt;/li&gt;&#13;
&lt;li&gt;Le radis noir&lt;/li&gt;&#13;
&lt;li&gt;Le salsifis&lt;/li&gt;&#13;
&lt;li&gt;Le thym&lt;/li&gt;&#13;
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&#13;
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&#13;
Il y a là de superbes bonheurs d'écriture : du cornichon grenu, Balthazar imagine que « cette virgule à peau nue doit aimer le braille. » Et le cerfeuil posé sur la peau mate dune tomate : « Comme la trace d'une patte de passereau d'eau douce, en étoile à quatre doigts, sur cette calotte de cardinal, le brin de cerfeuil et sa ponctuation définitive, in­dispensable. Parfois une crevette nue y ajoutait sa friandise de nymphette. » Il y a là aussi de superbes bonheurs d'image : celle de Roland Breucker, qui croit aux ver­tus de la longue patience, serre de près le texte et le sert ironiquement, tendrement, fantastiquement, par des collages et de minu­tieux dessins, ombrés, grisés, au crayon. A quand un autre livre de nos distingués léguminologues ? L'épinard, le chicon, le cresson, le potiron, le rutabaga et la patate se ratatinent et se morfondent...&#13;
&#13;
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