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                <text>À coups de tableaux lapidaires et furtifs, Anne-Marie Beeckman crée un bestiaire intime qui tremble et invite à la fugue. &#13;
&#13;
Ce sont, dit-elle, de « petites choses vues, sues, ou tenues ». Des pierres, des plumes, des dents de singe, une momie de rat ou une omoplate de cétacé par exemple... Toutes sont déposées dans des boîtes placées sur des étagères, derrière des vitres. Reste à redonner vie, corps, - et matière à rêver - à ces objets rapportés. Autrement dit, reste à remuer un peu de leur histoire, à évoquer, décrypter ce que leur mémoire peut léguer au présent. C’est ce à quoi s’applique Anne-Marie Beeckman en s’appuyant, la plupart du temps, sur un trait, un éclair, un éclat de sensualité ou un regard appuyé à son bestiaire intime pour créer, à coups de tableaux lapidaires et furtifs, un ensemble propice à de simples fugues hors de (et en) soi. Elle en tisse l’écheveau à sa manière. Y mêle tout à la fois patience et vivacité. Son écriture (crochetée, « tango thorax ») danse, légère, efficace. Et prolonge ce qu’elle n’a pas envie de voir disparaître, ce petit « butin » pour lequel non seulement elle « scie des étagères » mais qu’elle a auparavant pris soin de ramener elle-même dans ses filets. &#13;
&#13;
« Je ne possède pas l’oiseau, j’ai sa plume. Pas la montagne, le caillou. Pas l’arbre, un peu d’écorce, des fruits curieux. Pas le temps, le fossile. Je dispute à la mort de petits squelettes. » &#13;
&#13;
Ceux-ci bougent, loin des cimetières, devenant ici poèmes vifs et tendus. Objets animés (Il s’en va, celui reproduit en couverture est de Louis Pons) à agrafer, telles des légendes, près des boîtes trembleuses. &#13;
&#13;
En 2002, la parution du Vestiaire des vagues (également à l’Atelier de l’agneau, premier ensemble d’importance d’Anne-Marie Beeckman, regroupant plusieurs titres publiés auparavant en plaquettes, avait permis de mesurer l’acuité d’un regard qui, loin de se laisser happer par l’émotion, entend au contraire contenir celle-ci (sa violence possible, ses réflexes, son côté braque) pour pouvoir la mettre en scène avec minutie dans des contes, des vignettes et poèmes brefs couvrant tous, ou presque, le vaste champ du désir. &#13;
&#13;
Alain Joubert, l’auteur du très documenté Mouvement des surréalistes ou le fin mot de l’histoire chez Maurice Nadeau en 2001, ne s’y est pas trompé, évoquant à l’époque, dans La Quinzaine littéraire, « la féminité en alerte, le désir en feu, la joie de l’effervescence du lit, la férocité du plaisir et la morsure de l’amour » qui circulent dans les courtes proses de ce poète dont on parle, par ailleurs, assez peu. &#13;
&#13;
« Reste un écart des jambes, ce chiffon rouge sur tes fesses. Et la raison est une résignation. » &#13;
&#13;
A laquelle Anne-Marie Beeckman n’entend pas se soumettre.</text>
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&#13;
Les textes sont illustrés par des dessins de Claude Bauwens. </text>
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                <text>L'envers du décor&#13;
&#13;
Je veille à l'orée des orages. Je surveille l’arbre plein de vent.&#13;
&#13;
Une respiration lente, des mots comptés, six petites histoires resser­rées autour d'un noyau doulou­reux, des phrases que l'on dirait rêvées, éla­borées les yeux mi-clos derrière un mur, à la recherche d'une émotion particulière. Le dernier recueil de Claude Bauwens, Le Veilleur d'apocalypse, commence par une pièce de théâtre en un acte dont les person­nages, de Théodore à Théodule, de Théo­phile à Théophraste, glissent les uns vers les autres de façon fantasmatique. Il y est ques­tion de chevaux mastodontes, de traces lais­sées dans la neige et la poussière. Cette pièce allégorique, à enseignement variable, semble placer le recueil sous les auspices d'une fin du monde que les autres histoires, toutes à leur manière, viendront illustrer de façon plus concrète, à partir d'un morceau de paysage, d'une évocation quotidienne.&#13;
&#13;
Le veilleury à force de scruter, ahuri, le floconnement dense de la neige, la vit noire et de mauvais augure, se crut aveugle. Frissonnant de malaise, il ne se rappelait plus âme qui vive, ni murmure si anodin soit-il&#13;
&#13;
La tour du guet, la maison aux recoins obs­curs, un village de campagne. Deux ou trois collines, un marécage et au-delà, un ha­meau déserté que revisite la mémoire. Tout un imaginaire se déploie entre ces limites affectives (Spiennes, Nouvelles, Saint-Symphorien ?) où le monde est inscrit. Au fil des lignes, le veilleur s'y transit, craignant d'entendre, à chaque instant, quelque loin­tain frapper à sa porte comme un croquemort. Les lieux chers sont psalmodiés, dé­crits, disséqués et, ici ou là, une phrase pui­sée au hasard (de Michaux, de Thinès...) sert d'emblème ou d'amulette au raconteur inquiet.&#13;
&#13;
Par la glauque embrasure, on entrevoit l'ul­time lueur d'un jour qui n'eut vraiment pas lieu, la dernière pâleur ébauchant les arbres par les pluies pourris. On discerne aussi l'eau, entre joncs et troncs, débordant du marais.&#13;
&#13;
Pourtant, l'étroitesse du décor ne s'accom­pagne ici d'aucun immobilisme. Le veilleur ne cesse au contraire de se déplacer. Dans le temps tout d'abord, à la rencontre de son enfance où prennent naissance et se concen­trent son effroi, ses obsessions futures. S'y dresse le fantôme de la guerre, qui voua le petit garçon à sa condition de prisonnier volontaire. Le veilleur conserve d'elle la peur de l'endroit imprécis où gronde le canon et la peur de l'orage, la science des signes de l'apocalypse à décrypter dans le creux d'un nuage, sur la tranche d'un ro­seau. Mais il voyage aussi dans l'espace, à travers son petit domaine variant au rythme des saisons, riche en mystères et généreux en découvertes. Enfin, il arrive que le sexe de l'amour, infiniment grandi par l'œil im­patient qui le fixe, dérive en forêt, révèle un passage qui s'écroule en avenue.&#13;
&#13;
Il y a longtemps que l'obus qui fendait l'air, a éclaté.&#13;
&#13;
L'ensemble du recueil, comme son titre l'indique, est crispé dans l'attente d'une ca­tastrophe irrémédiable dont l'air et la terre, les minéraux et les végétaux, portent les in­dices. Pourtant, rien n'advient jamais que cette tension renouvelée, cette terreur intermittente se justifiant en menus éboulements et autres aléas météorologiques. On ne trouvera, dans Le Veilleur d'apocalypse, qu'effritement d'une motte sous la bêche, désagrégation du ciel en giboulées, de brin­dilles dans le feu et de caves en mérule, jusqu'au « vide », au « silence infinis ». Au­tant de prétextes à vanter la magie d'un objet familier, à dénoncer le mensonge des ennuyeuses campagnes hennuyères, à mon­trer, sans que la lucidité fasse d'autre concession au texte que celle de la ten­dresse, l'envers du décor.&#13;
&#13;
Françoise Delmez&#13;
&#13;
&#13;
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                <text>« C’est parce qu’il n’y a pas de pensée sans langage que la Forme est la première et la dernière instance de la responsabilité littéraire, et c’est parce que la société n’est pas réconciliée que le langage institue pour l’écrivain une condition déchirée. »
&lt;div style="text-align:right;"&gt;Roland Barthes&lt;/div&gt;
&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Roland Barthes&lt;/strong&gt; (1915-1980) Intellectuel, écrivain et théoricien de la littérature, par la publication en 1953, de son premier livre, Le Degré zéro de l’écriture, il s'est imposé comme l’un des penseurs parmi les plus importants de la modernité.</text>
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Un mois, jour pour jour, après sa publication, le premier roman de Simone Bellière, Chronique d'un été incertain, a reçu mardi soir le prix de Littérature de la Ville de Bruxelles. La vocation tardive d'écrivain de Simone Bellière, chercheur en sociologie et peintre, se voit ainsi récompensée.&#13;
&#13;
En 1988, Simone Bellière avait déjà publié Dédales, un recueil de nouvelles, chez Jacques Antoine. Un premier pas vers la maîtrise du récit, avant de franchir l'étape du roman. Malgré quelques maladresses qui ne sont peut-être que des naïvetés de débutante, précisément dans la construction narrative, Chronique d'un été incertain peut séduire d'autres lecteurs que les jurés du prix de la Ville de Bruxelles.&#13;
&#13;
Le séjour que fait Frank Veerle dans une sorte de maison de repos, sur une île qu'il connaît bien pour y avoir séjourné souvent autrefois, et où on parle le gaélique, a des origines mystérieuses. Il ne sait pas trop lui-même pourquoi il est là, et s'interroge davantage encore sur son statut, plus proche de celui d'un prisonnier que d'un homme âgé volontairement retiré du monde actif. On lui a enlevé ses vêtements, il lui est interdit de se promener en ville, et même sa présence dans les escaliers semble n'être pas souhaitée.&#13;
La tentation est grande de se laisser aller aux règles de l'endroit: accepter les contraintes, l'horaire et la bonne nourriture ferait de lui un homme tranquille, sans interrogation sur son avenir. Mais lui revient, comme par bouffées, le souvenir du plaisir qu'il avait à peindre - dans ces descriptions sensuelles du travail artistique, Simone Bellière a dû utiliser abondamment sa propre expérience. Et ce plaisir-là se confond bientôt avec celui qu'il prend à la présence d'Else, de moins en moins réservée et de plus en plus perverse. Qu'il prenne pour de l'amour la flambée de désir dont il redécouvre la brûlure est, somme toute, naturel. Tant qu'à se perdre, autant le faire avec un peu de folie!&#13;
&#13;
Telle est l'histoire que Simone Bellière met en scène avec une grande attention à la vie intérieure de son personnage principal. Les autres, en dehors d'Else, ne sont guère plus que des ombres, destinées peut-être surtout à peupler la plage le jour de la Fête bleue, lorsqu'une jeune fille dédiée à la mer s'éloignera en nageant vers le large...&#13;
Il était peut-être audacieux de saluer ce roman, séduisant mais imparfait, par un prix littéraire. C'est l'audace d'une découverte.</text>
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&lt;br /&gt;Extrait : &lt;br /&gt;SANTA SANGRE – never let me go! le corps nu de l’alchimiste et tutti quanti la procession des cinq sens : l’âme du papier mâché le toucher, le coucher, l’esprit de cellophane cuisinée les ruisseaux de fruits défendus, le pot de colle à peindre les trous noirs pelouse secours pelote la perle et la tempérance (arcane majeur) d’outre-culture balance le sirop écologique lamine la prière d’insérer</text>
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                <text>Albarracin, Laurent</text>
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              <elementText elementTextId="21109">
                <text>Atelier de l'agneau</text>
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                <text>La femme assise</text>
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                <text>Ce petit roman peint, dans un charmant désordre, des scènes de la vie de Montparnasse. Écrit pendant la guerre de 14-18, il ressemble à une promenade de permissionnaire, pressé de retrouver tout ce qu'il aime : la ville, les femmes, les mystifications, les gaillardises.</text>
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                <text>Les Mamelles de Tirésias est un drame « surréaliste1 » en deux actes et un prologue de Guillaume Apollinaire, créé au conservatoire Maubel le 24 juin 1917 dans une mise en scène de Pierre Albert-Birot2, décor de Serge Férat et costumes d'Irène Lagut. La musique était de Germaine Albert-Birot.&#13;
&#13;
L'auteur s'est inspiré du mythe du devin aveugle de Thèbes, Tirésias, tout en lui appliquant des thématiques modernes et provocatrices : le féminisme et l'antimilitarisme. L'histoire se base sur celle de Térésa, qui change de sexe pour gagner du pouvoir parmi les hommes. Son but est de modifier les coutumes, rejetant le passé pour y établir l'égalité des sexes.&#13;
&#13;
La première de la pièce fait scandale2 pour notamment ses allusions à la Première Guerre mondiale.</text>
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                <text>Décaudin, Michel</text>
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                <text>Edition présentée, établie et annotée par Michel Décaudin.&#13;
En couverture, portrait-charge de l'auteur par Picasso.</text>
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          <element elementId="79">
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              <elementText elementTextId="21040">
                <text>310 p.</text>
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                <text>Apollinaire (1880-1918) avait publié en 1910 des contes, L'Hérésiarque et Cie, qui avaient été retenus pour le prix Goncourt. C'est en 1913 qu'il songe à un nouveau recueil, mais la guerre en retarde la publication. Cet ensemble offre une grande diversité apparente de sujets et de tons, mais est dominé par quelques thèmes récurrents: les souvenirs personnels (naissance illégitime, rapports avec sa mère), le mythe du poète mort et éternel (voir L'Enchanteur pourrissant), la création d'un monde imaginaire, l'échec amoureux, la solitude. La dernière nouvelle peut donc, à cause de cette unité, rassembler tous les personnages des récits antérieurs. Le conte le plus développé, éponyme de l'œuvre, présente, sur le mode picaresque, la destinée de Croniamantal, dont le nom fait penser à Chronos (thème du temps) et à "mental". Poète maudit, il fréquente l'Oiseau du Bénin (Picasso) et souffre de son amour pour Tristouse Ballerinette (Marie Laurencin) qui le trahit avec le Fopoîte (faux poète) et appelle la mort sur lui. Celle-ci permet son apothéose. Il renaît dans le dernier conte comme s'il avait présidé à tous les récits intermédiaires. Son double est le Roi-Lune, Louis de Bavière, régnant sur un monde souterrain fantastique, vivant éternel au-delà de la mort.&#13;
&#13;
Chaque conte peut ainsi se rattacher à la même structure de base: un être meurt ou disparaît; il renaît et règne. La recréation poétique permet de réparer l'échec de la vie réelle. Le ton, souvent proche d'Alfred Jarry ou de Max Jacob, et les allusions à des contemporains donnent au récit un caractère fantaisiste qui n'ôte rien à la gravité de son jeu. De même, la parodie du style des nouvelles du xixe siècle, le mélange des genres (récit réaliste, fantastique, poésie, fable, théâtre) s'accordent avec la volonté d'inventer une esthétique moderne</text>
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            <name>Provenance</name>
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                <text>Fonds Pierre Puttemans</text>
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                <text>Tendre comme le souvenir</text>
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          <element elementId="42">
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              <elementText elementTextId="21023">
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          <element elementId="79">
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              <elementText elementTextId="21026">
                <text>354 p.</text>
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                <text>FPPB-APO-T-0 000 094</text>
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          <element elementId="53">
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              <elementText elementTextId="21028">
                <text>Le 1er janvier 1915, dans le train qui le ramène de Nice à Marseille, Guillaume Apollinaire rencontre Madeleine.&#13;
Le 10 août 1915, il formule la demande en mariage :&#13;
«Madame,&#13;
Madeleine vous a parlé de moi. Je l'adore, elle m'aime. Je veux la rendre heureuse.&#13;
J'ai l'honneur de vous prier de m'accorder sa main.&#13;
[...] J'attends votre réponse avec une très grande anxiété, bien facile à comprendre puisque, étant donné nos sentiments et nos goûts et aussi tout ce qui est la raison de vivre pour Madeleine et pour moi, il n'y a pas, je crois, de par le monde et même avant nous, d'union qui soit mieux assortie [...]»</text>
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                <text>Fonds Pierre Puttemans</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>La Diane française</text>
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              <elementText elementTextId="20240">
                <text>Aragon, Louis</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="20241">
                <text>Pierre Seghers</text>
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          <element elementId="51">
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            <elementTextContainer>
              <elementText elementTextId="20245">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="20246">
                <text>90 p.</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="20247">
                <text>FPPB-ARA-D-0 000 106</text>
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                <text>Des poèmes devenus le symbole de la résistance littéraire en France. &lt;br /&gt;&lt;br /&gt;Après Les Yeux d'Elsa, Il ne m'est Paris que d'Elsa et Le Voyage de Hollande, les Éditions Seghers rééditent le grand recueil de résistance de Louis Aragon. Cet ouvrage rassemble en réalité deux recueils qui furent d'abord publiés séparément par Pierre Seghers en 1946 : La Diane française et En étrange pays dans mon pays lui-même. &lt;br /&gt;&lt;br /&gt;Composés entre 1941 et 1944, ces poèmes sont indissociables des circonstances dans lesquelles ils furent écrits, publiés et diffusés. En effet, si certains ont été édités légalement, d'autres échappent à la censure de Vichy en paraissant dans des revues clandestines, sous des pseudonymes (François la Colère ou Jacques Destaing). Avec ce recueil, le poète bat la " diane " et tente de réveiller les Français endormis, comme l'avait fait avant lui Victor Hugo dans Les Châtiments. Il prend également appui sur une tradition remontant aux troubadours de langue d'oc, qui faisaient alterner le parler clair, destiné aux témoins des événements, et le parler clos, réservé aux initiés. &lt;br /&gt;Dans l'un et l'autre cas, Aragon veut convaincre ses compatriotes d'entrer dans une lutte commune et juste qui mobilise " toute sa lyre ".</text>
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        <name>Poésie</name>
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        <element elementId="96">
          <name>Tirage</name>
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            <elementText elementTextId="20234">
              <text>FPPB-0 000 021 - N°132</text>
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              <text>FPPB-0 000 017 - N° 118</text>
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        <element elementId="105">
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        <element elementId="107">
          <name>Justification du tirage personnel</name>
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            <elementText elementTextId="20236">
              <text>50 ex. hors commerce numérotés de 1 à 50</text>
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        <element elementId="111">
          <name>Dépôt légal</name>
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            <elementText elementTextId="20237">
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            <description>A name given to the resource</description>
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                <text>Poèmes amers</text>
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                <text>Algène, Marc</text>
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          <element elementId="37">
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            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="20224">
                <text>Denaeyer, Marcel E.</text>
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="20225">
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>&lt;span&gt;La couverture contient une cinétisation de Pol Bury représentant Manneken-Pis et la deuxième de couverture contient une carte politique de la Belgique à grande échelle&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;Les &lt;span style="text-decoration: underline;"&gt;articles&lt;/span&gt; présentés dans la revue sont les suivants :&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Textes indigènes / Ernest Pirotte&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Propos en formes de frites / Edmond Lefebure&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Anatomie de la frite / Campenaire&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Lettre de Pierre Alechinsky à Pol Bury à propos de l'introduction d'un sachet de frites dans le Palais des Beaux-Arts de Charleroi&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- [Note sur l'utilisation de pu et su] / Pierre&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Hommage à la Belgique [rébus] / René Bertholo&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Portrait en forme de frite&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Lettre de Gaston Chaissac à André Balthazar&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Les gilles / Achille Chavée&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Je ne veux pas / Maurice Henry&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Une page illustrée par Lourdes Castro&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Une page d'aphorismes illustrés par un mannequin pissant de Jan Voss&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Dialogue / Lourdes Castro&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Oh Bury très cher ami / François Dufrene&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Extrait d'un inventaitre de la poche droite de mon veston noir qui n'a pas été acheté en Belgique / Daniel Spoerri&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Le cousin, la cousine et le technicien / Marcel et Gabriel Piqueray&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Le quoijaidit au quinquinpis / André Martel&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Il faut qu'ça va ! sculptures de Manneken-Pis en mie de pain / Reinhoud&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Les changements / Dotremont&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Note littéraire / Christian&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Note sur le roman policier / Paul Colinet&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- On nous écrit / F. Caradec&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Les grandes frites / Campenaire&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Comment franchir la frontière linguistique / Robert Filliou&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- [Emballage de papier hygiénique Belgica]&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Un peintre gai qui cherche son maître / Clovis François&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- L'ode de la croûte belge / Théodore Koenig&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Du bois d'un sabot de gille / Gilbert Thuriaux&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Illustrations de femmes par Jan Voss Sic transit glorai Belgiae&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;&lt;span&gt;- Petit panthéon national et illustré des auteurs / Jan Voss et Ernest Pirotte ( Contient une note biographiques sur les artistes suivants :&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&#13;
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&lt;li&gt;Pierre Alechinsky, René Bertholo, Noël Arnaud, Gianni Bertini, André Balthazar, Pol Bury, Achille Campenaire, François Caradec, Lourdes Castro, Gaston Chaissac, Achille Chavée, Paul Colinet, Christian Dotremont, François Dufrene, Robert Filliou, Maurice Henry, Victor Hugo, Théodore koenig, Edmond Lefebure, Leopold II, André Martel, Marcel et Gabriel Piqueray, Ernest Pirotte, Jean Plumat, Lise Prunel, Jean Raine, Reinhoud, Pierre Restany, Daniel Spoerri, W. Spribille, Gilbert Thuriaux, Jan Voss&lt;/li&gt;&#13;
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&lt;span&gt;- D'une poussière au pied de la colonne du congrès de Bruxelles, &amp;nbsp;D'un nuage sur le dome du palais de justice de Bruxelles, De gouttes d'eau et du Manneken-Pis de Bruxelles / Gilbert Thuriaux&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Une réussite de l'ethnographie contemporaine : La Louvière / Pol Bury &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;- Jemeppe-sur-Sambre - Trois enfants&lt;br /&gt;&lt;br /&gt;Les &lt;span style="text-decoration: underline;"&gt;aphorismes&lt;/span&gt; présents dans la revue sont les suivants :&amp;nbsp;&lt;br /&gt;&lt;br /&gt;- Sois Belge et tais-toi !&lt;br /&gt;- Les Frites ne se mangent pas entre elles&lt;br /&gt;- In Frita Venenum&lt;br /&gt;- Soyez Belge envers les animaux&lt;br /&gt;- L'ami frite&lt;br /&gt;- Il faut de tout pour faire un Belge&lt;br /&gt;- La frite est toujours debout&lt;br /&gt;- Un gendarme est toujours à deux&lt;br /&gt;- Comme disait Vercingetorux, je suis un belge de grand luxe - Achille Chavée&lt;br /&gt;- J'admire comme les belges parlent flamand en français - Victor Hugo&lt;br /&gt;- Ronsard me célébrait du temps que j'étais belge...&lt;br /&gt;- Pas d'élites, pas d'histoires&lt;/span&gt;</text>
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    </collection>
    <itemType itemTypeId="18">
      <name>Publication</name>
      <description/>
      <elementContainer>
        <element elementId="96">
          <name>Tirage</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20136">
              <text>Ex. n° 350</text>
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          </elementTextContainer>
        </element>
        <element elementId="103">
          <name>Collection de l'éditeur</name>
          <description>Collection chez l'éditeur</description>
          <elementTextContainer>
            <elementText elementTextId="20137">
              <text>Biens Nouveaux</text>
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          </elementTextContainer>
        </element>
        <element elementId="105">
          <name>Justification du tirage ordinaire</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20139">
              <text>500 ex. sur vélin blanc numérotés de 16 à  515</text>
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          </elementTextContainer>
        </element>
        <element elementId="106">
          <name>Justification du tirage de tête</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20140">
              <text>15 ex. sur vieux Japon numérotés de 1 à 15</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20124">
                <text>Le chasseur Gracchus</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20125">
                <text>Kafka, Franz</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20126">
                <text>Parisot, Henri</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="20127">
                <text>G.L.M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20128">
                <text>1939</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20129">
                <text>Traduction de Henri Parisot</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20130">
                <text>12 X 17 cm.</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20131">
                <text>fr</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20132">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="20133">
                <text>np</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="20134">
                <text>FPPB-KAF-C-0 001 760</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="20135">
                <text>Fonds Pierre Puttemans</text>
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          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="1746">
        <name>Franz Kafka</name>
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      <tag tagId="1747">
        <name>Henri Parisot</name>
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  <item itemId="1486" public="1" featured="0">
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        <elementSet elementSetId="1">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7997">
                  <text>Bibliothèque de Pierre Puttemans - FPPB</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>Publication</name>
      <description/>
      <elementContainer>
        <element elementId="96">
          <name>Tirage</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20118">
              <text>Ex. n° 25</text>
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          </elementTextContainer>
        </element>
        <element elementId="105">
          <name>Justification du tirage ordinaire</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20120">
              <text>436 ex. numérotés de 13 à 448 sur verge</text>
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          </elementTextContainer>
        </element>
        <element elementId="106">
          <name>Justification du tirage de tête</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20121">
              <text>12 ex. nominatifs sur val de laga à la cuve numérotés de 1 à 12.</text>
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          </elementTextContainer>
        </element>
        <element elementId="107">
          <name>Justification du tirage personnel</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20122">
              <text>2 ex. sur papier de rives réservés à l'auteur et l'éditeur et 50 ex. marqués S.P.</text>
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          </elementTextContainer>
        </element>
        <element elementId="111">
          <name>Dépôt légal</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20123">
              <text>1er trim. 1973</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20107">
                <text>Navisence</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20108">
                <text>Bosquet de Thoran, Alain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="20109">
                <text>Jacques Antoine</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20110">
                <text>1973</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20111">
                <text>Dédicace de l'auteur à Pierre Puttemans</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20112">
                <text>14 X 15 cm.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20113">
                <text>fr</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20114">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="20115">
                <text>49 p.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="20116">
                <text>FPPB-BOS-N-0 001 659</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="20117">
                <text>Fonds Pierre Puttemans</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="508">
        <name>Alain Bosquet de Thoran</name>
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      <tag tagId="946">
        <name>Bosquet de Thoran</name>
      </tag>
      <tag tagId="15">
        <name>Poésie</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="1462" public="1" featured="0">
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7997">
                  <text>Bibliothèque de Pierre Puttemans - FPPB</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>Publication</name>
      <description/>
      <elementContainer>
        <element elementId="103">
          <name>Collection de l'éditeur</name>
          <description>Collection chez l'éditeur</description>
          <elementTextContainer>
            <elementText elementTextId="19874">
              <text>L'âge d'or</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="111">
          <name>Dépôt légal</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19875">
              <text>4ème trim. 1948</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19863">
                <text>La lampe dans l'horloge</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19864">
                <text>Breton, André</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="19865">
                <text>Robert Marin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19866">
                <text>1948</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19867">
                <text>Frontispice de Toyen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19868">
                <text>11 X 17 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19869">
                <text>fr</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19870">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="19871">
                <text>82 p.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="19872">
                <text>FPPB-BRE-L-0 001 658</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="19873">
                <text>Fonds Pierre Puttemans</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="396">
        <name>André Breton</name>
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  <item itemId="1459" public="1" featured="0">
    <collection collectionId="28">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7997">
                  <text>Bibliothèque de Pierre Puttemans - FPPB</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>Publication</name>
      <description/>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19797">
                <text>Mémoires du coeur</text>
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            </elementTextContainer>
          </element>
          <element elementId="52">
            <name>Alternative Title</name>
            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
            <elementTextContainer>
              <elementText elementTextId="19798">
                <text>Pour Tom Gutt</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19799">
                <text>Baxter, Glen</text>
              </elementText>
              <elementText elementTextId="19800">
                <text>Biraben, Jean-Claude</text>
              </elementText>
              <elementText elementTextId="19801">
                <text>Brachet, Philippe</text>
              </elementText>
              <elementText elementTextId="19802">
                <text>Brenta, Gilles</text>
              </elementText>
              <elementText elementTextId="19803">
                <text>Canonne, Xavier</text>
              </elementText>
              <elementText elementTextId="19804">
                <text>Dax, Adrien</text>
              </elementText>
              <elementText elementTextId="19805">
                <text>François, Claude</text>
              </elementText>
              <elementText elementTextId="19806">
                <text>Galand, Claude</text>
              </elementText>
              <elementText elementTextId="19807">
                <text>Gutt, Nadja</text>
              </elementText>
              <elementText elementTextId="19808">
                <text>Jaffe, Aline</text>
              </elementText>
              <elementText elementTextId="19809">
                <text>Mariën, Marcel</text>
              </elementText>
              <elementText elementTextId="19810">
                <text>Magritte, Paul</text>
              </elementText>
              <elementText elementTextId="19811">
                <text>Jamagne, Claudine</text>
              </elementText>
              <elementText elementTextId="19812">
                <text>Moulin, Marc</text>
              </elementText>
              <elementText elementTextId="19813">
                <text>Irine</text>
              </elementText>
              <elementText elementTextId="19814">
                <text>Pascarel, Barbara</text>
              </elementText>
              <elementText elementTextId="19815">
                <text>Noiret, Joseph</text>
              </elementText>
              <elementText elementTextId="19816">
                <text>Puel, Gaston</text>
              </elementText>
              <elementText elementTextId="19817">
                <text>Pirotte, Jean-Claude</text>
              </elementText>
              <elementText elementTextId="19818">
                <text>Rabourdin, Dominique</text>
              </elementText>
              <elementText elementTextId="19819">
                <text>Roux, Georges-Louis</text>
              </elementText>
              <elementText elementTextId="19820">
                <text>Scutenaire, Louis</text>
              </elementText>
              <elementText elementTextId="19821">
                <text>Senecaut, Gilbert</text>
              </elementText>
              <elementText elementTextId="19822">
                <text>Silbermann, Jean-Claude</text>
              </elementText>
              <elementText elementTextId="19823">
                <text>Stas, André</text>
              </elementText>
              <elementText elementTextId="19824">
                <text>Terfve, Guillemette</text>
              </elementText>
              <elementText elementTextId="19825">
                <text>Thyrion, Michel</text>
              </elementText>
              <elementText elementTextId="19826">
                <text>Van de Wouwer, Roger</text>
              </elementText>
              <elementText elementTextId="19827">
                <text>Wallenborn, Jean</text>
              </elementText>
              <elementText elementTextId="19828">
                <text>Wendelen, Christine</text>
              </elementText>
              <elementText elementTextId="19829">
                <text>Wergifosse, Jacques</text>
              </elementText>
              <elementText elementTextId="19840">
                <text>Willems, Robert</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19830">
                <text>Zaza</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="19831">
                <text>Claudine Jamagne et Nadja Gutt</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19832">
                <text>2008</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19833">
                <text>Griffonnis de Zaza&#13;
Carte postale de Tom Gutt</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19834">
                <text>18 X 24 cm.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19835">
                <text>fr</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19836">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="19837">
                <text>74 p.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="19838">
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                <text>Je suis cela : une sorte d’autobiographie, ou plutôt le récit de moments vécus, par l’écrivain et quelques-uns de ses proches. Mais il ne faut pas parler de récit, le livre étant constitué de fragments non liés entre eux, tous titrés ; pour commencer, "L’ancien et le nouveau", puis "Arachné", etc., jusqu’à la fin avec "Portrait de l’écrivain en ouïe tatouée" et "Les rôdeurs, postface". Chaque sous-titre est le programme d’un de ces moments du temps « gaspillé à écrire la vie ». "Arachné" : c’est la toile indéfiniment à tisser pour que, extraits depuis le temps obscur des débuts, les souvenirs s’organisent peut-être, que l’écriture les distribuant dans l’espace clos du livre donne quelque sens à ce qui a été vécu. "Arachné", c’est l’image du monde :&#13;
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&#13;
Plus tard, par la vitre du train, je vois le roulé-boulé des toits de chaume, des toits d’ardoise, des mouchoirs dépliés de froment et de lavande, où les arbres noirs s’infiltrent en grandes pattes velues et soulèvent le paysage comme une araignée géante qui déguerpit, maman surchargée de proies.&#13;
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 &#13;
&#13;
On est toujours en mouvement et la toile n’a pas de centre à partir duquel suivre des fils. Aucune cohérence n’est visible dans les éléments épars qui se succèdent, évocation des premiers apprentissages ou réflexions sur la mort du père, mélange des jours de l’enfance et de la vie des disparus :&#13;
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Quand je parle, je suis interrompu par les vivants. Quand j’écris, je suis interrompu par les morts, mais ce sont aussi des propos de morts qui m’emportent.&#13;
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Éparpillement, parce qu’une vie n’est faite que de moments sans lien entre eux ? Sans doute, et l’absence d’ordre est le lot de chacun quand il s’agit de la ressaisir. Mais pour Daniel Franco, relater est devenu impossible puisque cela consisterait à raconter d’une manière précise. Des ruptures sont intervenues qui interdisent de s’inscrire dans quelque continuité que ce soit : l’extermination des proches, parce que juifs, a introduit une faille qui empêche le narrateur de penser un début, puis un parcours. C’est pourquoi le récit est brisé, c’est pourquoi les souvenirs et des bribes de ce qui fut rapporté par des proches alternent avec des réflexions sur l’aphasie ou à propos du débat sur l’écriture après les chambres à gaz. Viennent même s’insérer des extraits d’un Journal, celui d’une semaine de 20061, mais qui disent aussi à leur manière la difficulté à écrire le passé comme le présent ; on lit en effet sous Lundi 22 mai 2006 : « Dimanche, j’écris pour lundi. Comme au temps de l’école, la veille au soir est un estomac noué dans le temps »... Cela, dans le titre, c’est en raccourci dire ce morcellement, l’indécision du temps, ce qui demeure après la destruction.&#13;
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&#13;
Daniel Franco explique dans les dernières pages comment est venue l’idée de cela. Le titre est né après une relecture dans Hamlet « d’une phrase mystérieuse : « This is me – Hamlet the Dane », traduite le plus souvent par « Me voici – Hamlet le Danois ». Par le biais d’un poème de Daniil Harms2, l’auteur propose sa traduction : « Je suis cela », et la commente : Ophélie est morte et c’est à son corps noyé qui gonfle dans les eaux que renvoie "cela" pour Hamlet. « "Je suis cela", c’est-à-dire, je ne suis pour l’essentiel rien d’autre que cette carcasse qui gonfle », et dans ce moment terrible Hamlet « découvre et reconnaît, bouleversé, ce qui lui avait tant manqué, la communauté de sort de ceux qui éprouvent la même chose dans le même temps ». C’est ce manque qui soutient le livre de Daniel Franco, manque explicité dans sa reprise du débat sur la possibilité de l’écriture, à partir de l’analyse d’Adorno et de l’œuvre de Celan, de la poésie après la Shoah : pages fortes sur ce qu’il est possible d’écrire après le rupture de civilisation qu’a été Auschwitz.&#13;
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Les fragments de vie rapportés par Daniel Franco, vie du père et de la mère, Moïse et Ruth, des grands-parents, du frère et de la sœur, sont toujours des bribes écrites « par sauts », qui ne tiennent pas entre elles, qui s’additionnent sans que se reconstitue un parcours. Il faut sans cesse reprendre, ajouter, en sachant que « cette obscurité passée en boucle ne fait pas revenir le cadre ancien », que les langues perdues de l’enfance étaient les traces des vies errantes des parents juifs : le ladino3 « truffé de dictons bulgares et de jurons turcs », le yiddish, l’hébreu.&#13;
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Comment écrire ? Certainement en acceptant jusqu’à un certain point le legs, comme le père faussaire : il copiait des tableaux de maître, mais « il [leur] conférait une tristesse absente dans l’original ». Je suis cela est nourri de la littérature comme des choses de la nature. Les œuvres sont là, entières, par un nom, une brève citation, une allusion — Kafka, Proust, Platon, Kleist, Gœthe, Ovide, Burroughs, Tagore, Fondane —  parfois lues au moment où le livre se construisait, Valérie Mréjen, Yehuda Amichaï. Yann Kassile. Etc. La familiarité est telle que l’on est tenté de reconnaître dans tel passage un pastiche de la phrase de Lautréamont, et tel autre évoque fortement celle de Thomas Bernhard ou, souvent, la tradition flamboyante du poème en prose. Comme s’il s’agissait en parcourant les genres littéraires de combler tous les manques, d’affirmer que dans l’écriture, « avec le concours équivoque des spectres, la terre entière peut bouger, sans même qu’un seul mot dans la phrase ne bouge ».&#13;
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Dédicace de l'auteur à Pierre Puttemans</text>
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          <element elementId="79">
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            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19085">
                <text>Colinet, Paul</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="19086">
                <text>Rhétorique</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19087">
                <text>1963</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19088">
                <text>Photos du manuscrit de la traduction néerlandaise &#13;
Portrait de l'auteur par Suzanne Van Damme</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19089">
                <text>14 X 18 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19090">
                <text>fr</text>
              </elementText>
              <elementText elementTextId="19091">
                <text>nl</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19092">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="19093">
                <text>np</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="19094">
                <text>FPPB-COL-L-0  001 616</text>
              </elementText>
              <elementText elementTextId="56934">
                <text>FLRB-COL-L-0 000 567</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="19095">
                <text>Fonds Pierre Puttemans</text>
              </elementText>
              <elementText elementTextId="57418">
                <text>Fonds Luc Rémy</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19099">
                <text>Deknop-Kornelis, Evelyn</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1654">
        <name>Evelyn Deknop-Kornélis</name>
      </tag>
      <tag tagId="322">
        <name>Paul Colinet</name>
      </tag>
      <tag tagId="3236">
        <name>Scutenaire</name>
      </tag>
      <tag tagId="1428">
        <name>Surréalisme</name>
      </tag>
      <tag tagId="1653">
        <name>Suzanne Van Damme</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
