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                <text>Claude Bauwens hante son village déserté d’habitants, où il est retranché, entre vieilles dépendances, greniers, restes de vie, toitures à l’abandon, nuages et orages. Les souvenirs le secouent pendant que dans le ciel un météore menace. « On devinait qu’il végétait derrière ses volets clos. On bénéficiait de l’aubaine de son anonymat qu’on disait voulu, qu’on prétendait forcé. On jouait le jeu facile de son inexistence. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;La Dernière Position&lt;/em&gt; est sans doute le texte le plus « nu» de Claude Bauwens. Symbolisées par une pierre flottante, les imaginaires armées ennemies sont là, muettes, menaçantes. »
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                <text>Les différents textes : &lt;br /&gt;- &lt;em&gt;La dernière position&lt;/em&gt;, dédicacé à Pierre Puttemans et Danielle Godin.&lt;br /&gt;- &lt;em&gt;Souffle égaré&lt;/em&gt;, dédicacé à Luc Rémy.&lt;br /&gt;- &lt;em&gt;Pulvérulence de l'aérolithe&lt;/em&gt;.&lt;br /&gt;- &lt;em&gt;L'irréalité de ma demeure&lt;/em&gt;, dédicacé à Luc Rémy.</text>
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                <text>Galerie de France, Paris. Vol. 22,5 x 24,5 cm, broché, couverture toilée jaune avec le titre en brun au premier plat, 40 pages. « Comic strip » imprimé en héliogravure, édité à l’occasion de l’exposition des œuvres récentes de Alechinsky à la Galerie de France (Paris) du 9 novembre 1966 au 8 janvier 1967.&#13;
&#13;
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                <text>Ramollissements de Pol Bury. &lt;br /&gt;&lt;br /&gt;FLRB-BAL-C-0 000 228 : dédicace de l'auteur à Luc Rémy&lt;br /&gt;&lt;br /&gt;ACDB-BAL-C-0 000 170 : don</text>
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                <text>Trente ans pour passer de&lt;em&gt; La personne du singulier&lt;/em&gt; à la personne multiple, trente ans pour reprendre à rebrousse-poil celui qui dans &lt;em&gt;L’air de rien&lt;/em&gt; aime l’immortalité des autres : un vivant vaut mieux que deux tu l’auras!&lt;br /&gt;&lt;br /&gt;Ainsi André Balthazar écrivain, poète, critique et lecteur privilégié des œuvres de quelques artistes.&lt;br /&gt;Ainsi André Balthazar, perplexe devant son parcours exemplaire, se posant la question : dérision or not dérision? &lt;br /&gt;Trente ans aussi pour nous laisser pantois, nous laisser sans réponse, pour nous renvoyer à notre questionnement. &lt;br /&gt;&lt;br /&gt;Lire André Balthazar : interroger ses titres, suspendre les questions, se contenter d’hypothèses, réduire ses livres à l’espace qu’ils occupent sur le rayonnage d’une bibliothèque. &lt;br /&gt;&lt;br /&gt;Lire André Balthazar, c’est entrer en solitude après telle ou telle lecture. Mais enfin diriez-vous! « et Balthazar dans tout cela? » Pourrais-je répondre : tant de livres pour dire de moins en moins la matière, pour dire de plus en plus l’esprit, pour dire de moins en moins l’esprit, pour dire de plus en plus l’amour. &lt;br /&gt;&lt;br /&gt;Pourrais-je répondre, tant de livres pour passer d’une froide leçon d’anatomie à un électro-cardiogramme du tendre. Pourrais-je aussi répondre, à bas les masques : la dérision, c’est l’utopie des tendres. &lt;br /&gt;Pourrais-je dire, maintenant passons à table, commençons le compte à rebours, relisons Balthazar à cœur ouvert, les yeux au boul’autre jour une bulle de savon, sont des fonctions régulatrices. &lt;br /&gt;André Balthazar, un philosophe qui s’ignore, qui joue à pigeon vole, un poète qui ne voudrait pas se prendre au sérieux....&lt;br /&gt;&lt;br /&gt;Gaspard HONS</text>
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                <text>Le catalogue est accompagné d'une version de &lt;em&gt;luxe&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;La version de luxe rehaussée d'un gastéropode en couverture, tiré à quelques exemplaires apparaît à l'initiative de Philippe Coquelet, maître des lieux dits L'Echelle à quelques 20 kilomètres de Charleville à l'occasion de l'exposition consacrée au Daily-Bul en 1998 à cet endroit.</text>
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              <text>60 exemplaires sur papier Tintoretto,  numérotés de I à LX,  accompagnés d'une gravure originale de Reinhoud tirée sur ses presses à La Bosse,  signée et numérotée par l'artiste.</text>
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Dans FLRB-PIQ-Q-0 000 071 dédicace de l'auteur à Luc Rémy</text>
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&lt;li&gt;10 épreuves marquées, numérotées et signées HC de I à X&lt;/li&gt;
&lt;li&gt;5 épreuves numérotées et signées,  marquées aux initiales P.A.,  A.B.,  P.B,  M.P. et J.W. &lt;/li&gt;
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            <name>Title</name>
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                <text>D'un Art bul à l'autre</text>
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                <text>Catalogue de l'exposition organisée avec l'aide de la Direction générale des Affaires culturelles du Hainaut au Centre culturel de la Communauté française de Belgique Wallonie - Bruxelles (127-129,  rue Saint-Martin - 75004 Paris),  du 14 octobre au 28 novembre 1982.&#13;
&#13;
Une enquête, deux questions : &#13;
- Quelle est, à vos yeux, l'oeuvre d'art la plus niaise ? &#13;
- Quelle est, à vos yeux, l'oeuvre d'art la moins niaise?</text>
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            <name>Publisher</name>
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                <text>Le Daily-Bul</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>The nature or genre of the resource</description>
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                <text>Ouvrage imprimé</text>
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                <text>19 x 24 cm</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>136 p.</text>
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                <text>Comme le miroir se joue de la réflexion, voici 25 ans que la Pensée Bul tourne le dos aux &lt;em&gt;concepts&lt;/em&gt;, Cette position, confortable pour les uns, incommode pour d'autres, permet à cette pensée - le plus souvent adéquate - de résoudre beaucoup d'anxiétés philosophiques et esthétiques. &lt;br /&gt;Dans ce dernier &lt;em&gt;champ&lt;/em&gt;, et plus précisément celui de l'art, la Pensée Bul peut promener allègrement sa charrue, comme les paysans de Millet le fesaient dans le &lt;em&gt;champ&lt;/em&gt; de la pomme de terre. &lt;br /&gt;Grâce à nos amis artistes, à leurs propos, à leurs images, la notion d'&lt;em&gt;art bul&lt;/em&gt; reste plus que jamais pragmatique. Un quart de siècle a déjà permis d'en faire un bilan. Bilan, comme la mer, toujours recommencé.&lt;br /&gt;&lt;div style="text-align:right;"&gt;André Balthazar et Pol Bury&lt;/div&gt;</text>
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