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&lt;div style="text-align: right;"&gt;&lt;br /&gt;Joseph Noiret&lt;br /&gt;Extrait de Phantomas, n° 78/82, Homo Ludens, décembre 1968&lt;/div&gt;</text>
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&lt;li&gt;Freudinette&lt;/li&gt;
&lt;li&gt;Minute men&lt;/li&gt;
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&lt;li&gt;Allez allez kizz&lt;/li&gt;
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                <text>Catalogue de l'exposition organisée avec l'aide de la Direction générale des Affaires culturelles du Hainaut au Centre culturel de la Communauté française de Belgique Wallonie - Bruxelles (127-129,  rue Saint-Martin - 75004 Paris),  du 14 octobre au 28 novembre 1982.&#13;
&#13;
Une enquête, deux questions : &#13;
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                <text>Comme le miroir se joue de la réflexion, voici 25 ans que la Pensée Bul tourne le dos aux &lt;em&gt;concepts&lt;/em&gt;, Cette position, confortable pour les uns, incommode pour d'autres, permet à cette pensée - le plus souvent adéquate - de résoudre beaucoup d'anxiétés philosophiques et esthétiques. &lt;br /&gt;Dans ce dernier &lt;em&gt;champ&lt;/em&gt;, et plus précisément celui de l'art, la Pensée Bul peut promener allègrement sa charrue, comme les paysans de Millet le fesaient dans le &lt;em&gt;champ&lt;/em&gt; de la pomme de terre. &lt;br /&gt;Grâce à nos amis artistes, à leurs propos, à leurs images, la notion d'&lt;em&gt;art bul&lt;/em&gt; reste plus que jamais pragmatique. Un quart de siècle a déjà permis d'en faire un bilan. Bilan, comme la mer, toujours recommencé.&lt;br /&gt;&lt;div style="text-align:right;"&gt;André Balthazar et Pol Bury&lt;/div&gt;</text>
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