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Du fou&#13;
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                <text>Dapoz, Jacques</text>
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                <text>Ce que j'écris, c'est une liberté. Une gratuité. La gratuité, c'est le prix que je donne aux vérités et aux libertés. La gratuité, c'est le don. Voilà mon seul gage de crédibilité. (...)</text>
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                <text>Jean-Pierre Ransonnet, les lieux, les liens</text>
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                <text>Delaunois, Alain</text>
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                <text>Yellow Now</text>
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                <text>Nombreuses illustrations de Jean-Pierre Ransonnet : reproductions de peintures, photos et fac-similés</text>
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                <text>ACDB-DEL-J-0 000 294</text>
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                <text>Reproduction peinture de Jean-Pierre Ransonnet : Le Voyage (1976)</text>
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                <text>Artiste du lien (donc attachant) et de la relation, enseignant et organisateur d'expositions, Jean-Pierre Ransonnet, depuis trente ans, prend des photographies, griffonne ou redessine dessus, peint, écrit ou crayonne, parcourt des listes de noms, d'expressions, de souvenirs et fait entrer le tout dans un univers de correspondances, de références explicites, d'allusions énigmatiques. Si Conversation avec Dan Van Severen (1991, chez Tandem) et, chez Yellow Now, l'Ailleurs (1979), Couverture (1980) ou encore Manger (1981) et Relations et relations (1981) ont pu révéler certaines facettes de son travail, Jean-Pierre Ransonnet, les lieux, les liens propose un itinéraire à travers la production foisonnante de l'artiste dans les années septante. Par petites touches et sans souci d'exhaustivité, l'essai d'Alain Delaunois tente de cerner, sous l'apparent éclatement, la profonde cohérence d'une œuvre animée par le sens de la perte et de la découverte, la frontalité du sens ou ses détours, les trous de la mémoire et ce qui vient les remplir : les lieux, les personnes, le temps, le mouvement, peindre ou reprendre, partir ou rester, choisir et nommer. Ransonnet est un Belge assez sentimental.</text>
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        <name>Alain Delaunois</name>
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                <text>La rechute d'Icare</text>
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                <text>Delhalle, Michel</text>
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                <text>Van den Abeele, Rémy</text>
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                <text>Cactus inébranlable éditions</text>
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                <text>Couverture : huile sur toile de Rémy Van den Abeele</text>
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                <text>74 p.</text>
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                <text>ACDB-DEL-R-0 000 292</text>
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                <text>Depuis des années, tel un argonaute, Michel Delhalle fouille, sonde, compulse, scrute les ouvrages à la recherche des plus beaux aphorismes, des plus drôles, des plus percutants.&#13;
&#13;
Il partage ses pépites lors de conférences endiablées où les jeux de mots, les calembours, les traits d’esprit marquent à jamais les auditeurs ébaubis par tant de verve.&#13;
&#13;
Il était temps que Michel rejoigne la joyeuse troupe des joviaux aphoristologues de la bande à Cactus.</text>
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                <text>Fonds Centre Daily-Bul &amp; C°</text>
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              <text>350 ex.&#13;
Ex. N°133</text>
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          <name>Justification du tirage ordinaire</name>
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          <name>Justification du tirage de tête</name>
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                <text>Quatrains pour Hélène</text>
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                <text>Chavée, Achille</text>
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                <text>Plongin, Freddy</text>
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                <text>Editions "Haute Nuit"</text>
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                <text>Avec un portrait de l'auteur par Freddy Plongin&#13;
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            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60863">
                <text>fr</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60864">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="60865">
                <text>71 p.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="60866">
                <text>ACDB-CHA-Q-0 000 260</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="60867">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
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        </elementContainer>
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    <tagContainer>
      <tag tagId="307">
        <name>Achille Chavée</name>
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        <name>Félix Leclercq</name>
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      <tag tagId="76">
        <name>Freddy Plongin</name>
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        <name>poèmes</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="14">
                  <text>Bibliothèque Centre Daily-Bul &amp; C°</text>
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              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="18">
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        <element elementId="96">
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          <elementTextContainer>
            <elementText elementTextId="60852">
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Ex. N°228</text>
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        <element elementId="105">
          <name>Justification du tirage ordinaire</name>
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          <elementTextContainer>
            <elementText elementTextId="60853">
              <text>250 ex. sur papier Featherweight numérotés de 1 à 250</text>
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        </element>
        <element elementId="106">
          <name>Justification du tirage de tête</name>
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          <elementTextContainer>
            <elementText elementTextId="60854">
              <text>15 ex. numérotés de I à XV</text>
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        <element elementId="107">
          <name>Justification du tirage personnel</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="60855">
              <text>1 ex. hors commerce marqué A.C.</text>
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      </elementContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60841">
                <text>Blason d'amour</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60842">
                <text>Chavée, Achille</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="60843">
                <text>Editions de Haute Nuit</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="60844">
                <text>1950</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60845">
                <text>Don de Benoit Bruneau&#13;
Dédicace de l'auteur à Georges Bruneau</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60846">
                <text>13 X 17 cm</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60847">
                <text>fr</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60848">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="60849">
                <text>57 p.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="60850">
                <text>ACDB-CHA-B-0 000 258</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="60851">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="307">
        <name>Achille Chavée</name>
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      <tag tagId="9401">
        <name>poèmes</name>
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  <item itemId="4667" public="1" featured="0">
    <collection collectionId="7">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="14">
                  <text>Bibliothèque Centre Daily-Bul &amp; C°</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>Publication</name>
      <description/>
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        <element elementId="96">
          <name>Tirage</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="60837">
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Ex.N°202</text>
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          </elementTextContainer>
        </element>
        <element elementId="105">
          <name>Justification du tirage ordinaire</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="60838">
              <text>300 ex. sur papier Featherweight numéroté 1 à 300</text>
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          </elementTextContainer>
        </element>
        <element elementId="106">
          <name>Justification du tirage de tête</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="60839">
              <text>15 ex. sur papier Hollande Van Gelder numérotés de I à XV</text>
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          </elementTextContainer>
        </element>
        <element elementId="107">
          <name>Justification du tirage personnel</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="60840">
              <text>1 ex. hors-commerce marqué A.C.</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60826">
                <text>Cristal de vivre</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60827">
                <text>Chavée, Achille</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="60828">
                <text>Editions de Haute Nuit</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60829">
                <text>1954</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60830">
                <text>Don de Benoit Bruneau&#13;
Dédicace de l'auteur à Georges Bruneau</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60831">
                <text>13 X 17 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60832">
                <text>fr</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60833">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="60834">
                <text>56 p.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="60835">
                <text>ACDB-CHA-C-0 000 262</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="60836">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="307">
        <name>Achille Chavée</name>
      </tag>
      <tag tagId="9401">
        <name>poèmes</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="4666" public="1" featured="0">
    <collection collectionId="7">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="14">
                  <text>Bibliothèque Centre Daily-Bul &amp; C°</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="18">
      <name>Publication</name>
      <description/>
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        <element elementId="111">
          <name>Dépôt légal</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="60801">
              <text>D/2000/8487/4</text>
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        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60791">
                <text>Réminiscences</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60792">
                <text>Brune, Elisa</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="60793">
                <text>Editions de l'Académie Internationale d'Eté (Libramont)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60794">
                <text>2000</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60795">
                <text>11 X 15 cm</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60796">
                <text>fr</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60797">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="60798">
                <text>11 p.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="60799">
                <text>ACDB-BRU-R-0 000 220</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="60800">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
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          </element>
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    <tagContainer>
      <tag tagId="11089">
        <name>Elisa Brune</name>
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  <item itemId="4665" public="1" featured="0">
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      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="14">
                  <text>Bibliothèque Centre Daily-Bul &amp; C°</text>
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      </elementSetContainer>
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    <itemType itemTypeId="18">
      <name>Publication</name>
      <description/>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60778">
                <text>Alphabet du Bestiaire</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="60779">
                <text>Lebrau, Jean</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="60780">
                <text>Les carnets de l'oiseau-mouche</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="60781">
                <text>1941</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60783">
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60784">
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60785">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="60786">
                <text>np</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="60787">
                <text>ACDB-LEB-A-0 000 338</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="60788">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
              </elementText>
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          </element>
          <element elementId="83">
            <name>Accrual Method</name>
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              <elementText elementTextId="60802">
                <text>Don de Yves De Bruyn</text>
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          </element>
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    <tagContainer>
      <tag tagId="757">
        <name>Bestiaire</name>
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      <tag tagId="11088">
        <name>Jean Lebrau</name>
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      <tag tagId="15">
        <name>Poésie</name>
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        <elementSet elementSetId="1">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="14">
                  <text>Bibliothèque Centre Daily-Bul &amp; C°</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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    <itemType itemTypeId="18">
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        <element elementId="95">
          <name>ISBN</name>
          <description/>
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            <elementText elementTextId="60775">
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        <element elementId="103">
          <name>Collection de l'éditeur</name>
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            <elementText elementTextId="60776">
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                <text>Michel Lamart, excellent poète et chroniqueur rémois, nous invite à partager sa vision de l'oeuvre du cher Arthur Rimbaud par des poèmes très courts et jamais touffus. On est loin des longues phrases de Rimbaud où celui-ci concoctait ses bijoux : que de trouvailles et hardiesses ! ont donné d'autres éclats au réel et une autre dimension au langage. À côté du fabuleux « je est un autre » Lamart, parmi tant d'autres qui ont aimé l'auteur des « Illuminations », a osé nous proposer ses poèmes. Avec beaucoup de subtilité, ils se réfèrent à certains vers de Rimbaud : « Mer Poème qui / Enivre le poète / Et le berce / D'éclats oniriques / De cils rougeoyants / Et de brumes violettes / Tandis que sur la flache / Dérade son bateau ». D'autres, caractéristiques de la vie du révolté de Charleville, sont mis en évidence, entre autres : « A Babylone / Ivrogne d'entre les ivrognes / Victimes d'orgies / Abracadantesques ».</text>
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&#13;
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                <text>Les nuits sont longues, surtout celle qui se prépare quand on atteint l’âge qu’on dit grand, pour ne pas dire qu’au contraire on s’y rétrécit, rabougrit, ratatine et radote parfois. On en vient alors à apprécier particulièrement le timide soleil qui réchauffe les os, réveille la cervelle, renvoie le sang au feu des passions et le souffle à l’ardeur de son verbe.&#13;
L’auteur s’est donc amusé ici de sa fausse sagesse et de sa feinte lucidité. Il en reste, comme dans un miroir, quelques éclats, quelques reflets et réflexions qu’on pourra méditer à son aise et à plaisir le reste du temps.</text>
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        <name>Alain Derez</name>
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                <text>82 p.                                             </text>
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                <text>Maman Jeanne est une femme simple qui a connu la condition commune qu'ont vécu et vivent encore tant de femmes, autrefois, maintenant, ici et ailleurs. Mariée à un négociant en spiritueux choisi par son père, elle se retrouve rapidement veuve avec trois fils dont l'un lourdement handicapé.&#13;
Elle se placera comme bonne chez un curé pour subvenir aux besoins des siens, hébergés par sa belle-famille et c'est alors que tout basculera.&#13;
Jeanne est une femme simple dont la famille, le milieu, les préjugés du temps et l'ignorance forgeront le destin. C'est une victime, victime de la vie mais aussi de la méchanceté de certains. Et son crime, avoir aimé, elle le paiera toute sa vie. Dit comme cela, cela fait un peu roman à l'eau de rose, ceux que nos grand-mères lisaient, elles qui étaient de la génération de Jeanne..</text>
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                <text>Je cherche mon éditeur</text>
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Textes établis et présentés par Guy Faucher</text>
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                <text>ACDB-CHA-C-0 000 246</text>
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                <text>Rassemble des lettres et documents, de 1946 à 1949 (articles sur Albert Gleize, contes, poèmes,...) adressés à l'éditeur René Rougerie et à Raymond Briant, responsable à Nantes d'une chronique de culture ouvrière dans la Voix des travailleurs. Lettres savoureuses, textes qui révèlent une personnalité complexe, singulière et attachante, parfois volontairement provocatrice... ©Electre 2022</text>
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                <text>Don Suzanne Tremblay</text>
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                <text>Jean Dubuffet, le preneur d'empreintes</text>
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                <text>de Braekeleer, Catherine</text>
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                <text>Centre de la Gravure et de l'Image Imprimée (La Louvière)</text>
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Nombreuse reproductions de peintures de l'artiste.&#13;
Texte "Les phénomènes " de Lorenza Trucchi&#13;
Texte "Le phénomène et la merveille" de Laurent Busine</text>
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                <text>128 p.</text>
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                <text>Nul besoin d’aller au loin chercher des raretés, tout est là devant votre nez ou par terre à vos pieds. On y trouvera tout ce qu’on cherche sans avoir à se déplacer. Je suis un touriste d’un genre particulier : tout pittoresque m’incommode et c’est où le plus il est absent que s’éveille mon émerveillement.&#13;
&#13;
— Jean Dubuffet, Apercevoir, 1958&#13;
&#13;
Artiste insaisissable et polémique, Jean Dubuffet (1901-1985) est un acteur majeur de la scène artistique de la seconde moitié du xxe siècle. Fasciné par le papier, l’encre et l’imprimerie, l’estampe est profondément liée à son œuvre peinte.&#13;
&#13;
L’exposition se déployait en deux temps. La série des Phénomènes, véritable atlas des phénomènes naturels du monde, constituait le cœur de l’exposition. Elle comprennait dans sa totalité 324 lithographies réalisées entre 1958 et 1962. planche célèbre un aspect du monde naturel, renforcée encore par les titres poétiques que Dubuffet leur donna.&#13;
&#13;
La seconde section dévoilait les recherches qui ont précédé et annoncé ce cycle unique dans l’histoire de l’estampe du xxe siècle. De la série des Murs de 1945 aux Assemblages d’empreintes de 1953, le processus de création de l’artiste aboutira aux savoureuses figures à chapeau de 1962 issues des Phénomènes.&#13;
&#13;
Jean Dubuffet ne se veut pas « artiste » au sens conventionnel de la parole et son œuvre lithographique se présente plutôt comme un très vaste répertoire de formes, un conservatoire, un catalogue, une sorte d’herbier ou de musée naturel qui se pourrait augmenter indéfiniment car ses capacités sont illimitées.&#13;
&#13;
Cette exposition – représentant une plongée exceptionnelle dans des expérimentations lithographiques réalisées par Jean Dubuffet – a été organisée avec l’aide de la Fondation Dubuffet.</text>
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                <text>Double aventure, à la fois dans le monde de la gravure et de l’édition, Tandem, est le fruit du travail inlassable d’une association. Depuis 1974, Tandem n’a cessé d’éditer, de diffuser et d’exposer livres et estampes. Réunissant des noms prestigieux de la création actuelle : Bogdan Borcic, Pierre Caille, Antonio Segui, Jo Delahaut, Lismonde, Cees Andriessen…  Associant les textes et les images de Caroline Lamarche et Kikie Crèvecoeur, de Gaspard Hons et Léon Wuidar, de Clayton Eshleman et Takesada Matsutani,…&#13;
&#13;
Donnant à une centaine de jeunes la possibilité de participer à la collection “Histoire(s) en images”. Permettant à des artistes de toutes disciplines d’exprimer leur conception, leur manière de travailler et de vivre leur art,  parmi les 85 titres de la collection “Conversation avec…” : Joseph Beuys, Andy Warhol, Pierre Soulages, Jan Fabre, Tomi Ungerer, Lucien Kroll.</text>
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                <text>Bonne nouvelle que cette traduction en français d’un ouvrage paru en 2010 et qui s’attache à réévaluer le Nouveau Réalisme à l’aide de divers outils théoriques (marxisme, féminisme, freudisme, etc.). Jill Carrick porte une attention particulière à ce qu’Arman appelait la « dérestanysation », c’est-à-dire à l’examen des prises de position du fédérateur du groupe, Pierre Restany, et ce, à partir des critiques qui sont rapidement apparues à la suite de la naissance du Nouveau Réalisme (Gérald Gassiot-Talabot par exemple, qui convoqua à ce propos le Roland Barthes des Mythologies), mais également du fait des artistes mêmes de ce rassemblement hétéroclite, et tout particulièrement de Daniel Spoerri et sa Topographie anécdotée du hasard où l’autrice voit comme une alternative à la doxa restanienne.</text>
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&#13;
André Chabot.&#13;
&#13;
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&lt;p&gt;La suite de l'histoire se déroulera à l'ombre.&lt;/p&gt;&#13;
&lt;p&gt;Septembre.&lt;/p&gt;&#13;
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&lt;p&gt;&lt;br /&gt;&lt;i&gt;Je te fais le son de la voix de Svetlana Broz, petite-fille de Josip Broz, Tito, maréchal autocrate de Yougoslavie.&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;i&gt;(...)&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;i&gt;Je te fais le son des paroles de Svetlana, invoquant la&lt;/i&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;nécessaire dénazification des consciences.&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;i&gt;Je te fais le son du coeur de Svetlana, cardiologue de son état.&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;i&gt;(...)&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;-&amp;nbsp;On va se battre&amp;nbsp;?&lt;/p&gt;&#13;
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                <text>Une douzaine d'histoires - dont certaines imbriquées les unes dans les autres à la façon des matriochkas - que relient l'obsédante quête d'une collectionneuse à la recherche d'une poupée volée jadis dans un parc et les aventures parfois risquées, souvent déroutantes, de deux brocanteurs traquant l'aubaine rare au fond des greniers à vider ou croyant la saisir dans le double reflet bleuté d'une vitrine de bordel.</text>
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                <text>Catalogue de l'exposition &lt;em&gt;André Balthazar : l'air de rien&lt;/em&gt;. Musée Ianchelevici (La Louvière), 17 septembre au 7 novembre 2004</text>
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Conseiller : Jean-Pierre Verheggen&#13;
&#13;
Une exposition en forme de portrait rend hommage au « rêveur immobile » André Balthazar.&#13;
&#13;
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                <text>Tomber la veste avec grâce&#13;
* Une exposition en forme de portrait rend hommage au « rêveur immobile » André Balthazar. &#13;
Mosaïque d'artistes et redécouverte de ses textes.&#13;
&#13;
DANIÈLE GILLEMON&#13;
&#13;
Une exposition en forme de portrait ? Voilà qui n'est jamais facile, surtout quand le principal intéressé est foncièrement allergique aux pistes bien tracées et passeur patenté, de surcroît, de mots et d'émotions dont il extrait comme personne, mais mezzo voce, les saveurs secrètes.&#13;
&#13;
Deux comparses, Roland Breuker et Alain Delaunois, ont donc fait ce qu'il était « commissairement » possible pour approcher, dans cette exposition sympathique, la personnalité complexe et attachante d'André Balthazar, ses deux faces, plastique et littéraire, souvent interpénétrées.&#13;
&#13;
Lové à sa région comme Blavier à Verviers (ou Michaux à Namur !), il en a, comme eux, éprouvé et transgressé les limites.&#13;
&#13;
On ne pénètre dans l'intimité de ce personnage secret, de ce « rêveur immobile » affublé en poète singulier que jusqu'à un certain point, retrouvant ses textes et son intérêt pour un certain type d'expression artistique tout en humeurs concrètes et subversives.&#13;
&#13;
Camille De Taeye avec son lexique de matières incongrues, la beauté cavalière de ses « intégrations » est évidemment au rendez-vous comme Bury, le vieux complice - les jeux toujours frais de ses cinétisations - ou Alechinsky dont les enluminures sur vieilles obligations ont gardé une indéniable verdeur.&#13;
&#13;
Les Segui, Vinche, Belgeonne de la première heure étaient bien faits, eux aussi, pour l'intéresser, maniant le corpusculaire et le cosmique, le rustique, le social et le poétique sans effets de manche. Les humoristes noirs, Topor, Searle, Breuker..., sont là, pas loin des chefs de file, Magritte, Dotremont, Giacometti et les autres.&#13;
&#13;
Tous ont, bien entendu, tombé la veste. Comment s'étonner dès lors que l'homme Balthazar a aussi collectionné les... emballages d'orange. Pas les épluchures que, l'air de rien, il laisse aux artistes professionnels !&#13;
&#13;
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                <text>Une certaine réserve PORTRAIT&#13;
&#13;
Né en 1934 à La Louvière, André Balthazar aura l'occasion d'apprécier la littérature et l'art dès l'enfance. Cette ouverture familiale le conduira vers des études de philologie romane à l'ULB. En 1950, il fait la connaissance de Pol Bury, peintre et sculpteur, qui lui ouvrira les portes des milieux artistiques et l'amènera à fréquenter les cercles surréalistes, Cobra, l'art abstrait et bien d'autres. Cinq ans plus tard, il fonde avec Bury l'académie Montbliart, d'où émergera, en 1957, la maison d'édition Daily Bul. Il publie son premier recueil de textes, « La personne du singulier », illustré par Pierre Alechinsky, en 1963. André Balthazar en écrira une quinzaine d'autres de manière irrégulière, tout en poursuivant ses activités d'enseignant, de critique d'art et d'éditeur. Il fera également partie des fondateurs du Centre de la gravure et de l'image imprimée de La Louvière.&#13;
&#13;
Selon Alain Delaunois, l'un des commissaires de l'exposition, André Balthazar est resté discret sur son œuvre littéraire pendant très longtemps, privilégiant ses activités d'éditeur et différenciant clairement les deux occupations. Ses poèmes et ses textes en prose font souvent référence à sa vie, notamment à ses souvenirs d'enfance.&#13;
&#13;
L'auteur imposait également à ses écrits personnels une forme plus rigoureuse que celle autorisée dans le Daily Bul. Même s'il est arrivé à l'écriture par le surréalisme, sa formation reste celle d'un romaniste. On retrouve ce tiraillement entre classicisme et désinvolture dans des ouvrages tels que « Linnéaments » (illustré par Breuker) ou encore « Buffoneries » et, déjà, dans le choix de son mémoire, consacré à Henri Michaux, partagé lui aussi entre rigueur et délire. Mais, contrairement à Michaux ou à son ami Achille Chavée, André Balthazar a toujours observé une certaine réserve, s'effaçant presque derrière ses activités d'éditeur.·&#13;
&#13;
S. d. P. (st.)&#13;
&#13;
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                <text>On fonce tète baissée brûlée et hors sens hors contexte complètement à l'arrache grosses louches de purées de mots et sans un poil de ponctuation on fonce comme ça à l'interne de lignes coulées pleines on fonce plein pot dans notre véhicule notre véhicule un peu particulier oui un peu particulier puisqu'il s'agit attention de rien de moins que du corps de Blanche-Neige oui on fonce à tombeau ouvert dans notre véhicule expérimental qu'est le corps de Blanche-Neige c'est très expérimental tout ceci notamment au niveau des affects oui l'affaire de Blanche-Neige est tout de même très expérimentale question affects question physique des affects n'est-ce pas voilà on est dans tout un dispositif nous ici tous ensemble autour de ce texte celui qui l'écrit et toute la clique de ceux qui le lisent broum broum on se retrouve tous ensemble dans notre véhicule expérimental corporel organique et en même temps verbalo-rythmique sonore textuel allez allez tout le monde allez allez tout le monde on y va on y va on va foncer fond de caisse à travers ce monde expérimentalo-corporel qu'est l'histoire de Blanche-Neige on y va oui on va explorer toutes les palettes de cruautés et d'agencements d'affects tous plus exploses les uns que les autres ah mes amis mes amies mais quelle fête qui s'annonce oui quelle explosion mystico-pétée de crépitation de mots on va vraiment vivre quelque chose nous là de viandu d'abstrait corporel et très très concret rendez-vous oui rendez-vous tous ensemble à l'intérieur du corps de Blanche-Neige tandis qu'elle vit son histoire oui sensations corporelles écorchées délabrées vives garanties oui garanties sur facture à la lecture de ce texte.</text>
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&#13;
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&#13;
L’impertinence, comme dans le théâtre de Molière, est d’autant plus appréciable qu’elle est colorée d’esprit. Voilà pourquoi la littérature en fait son miel, tandis que la politique lui offre aussi un terrain fertile. Leurs sources apparaissent inépuisables.&#13;
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&#13;
Bibliothécaire-documentaliste de formation, diariste passionné, Jean-Pol Baras fut secrétaire général du Parti socialiste belge de 1995 à 2008 et Délégué du gouvernement Wallonie-Bruxelles à Paris de 2008 à 2013. Il est l’auteur de plusieurs ouvrages dont En lisant le Nouvel Obs (Genèse Édition, 2014).</text>
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        <name>Jacques Dupin</name>
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              <elementText elementTextId="58564">
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              <elementText elementTextId="58566">
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              <elementText elementTextId="58567">
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          <element elementId="51">
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            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="58569">
                <text>Ouvrage imprimé</text>
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          <element elementId="79">
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            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="58570">
                <text>59 p.</text>
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              <elementText elementTextId="58572">
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      <tag tagId="10913">
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          <element elementId="45">
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            <description>An entity responsible for making the resource available</description>
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Don de Paule Thomée</text>
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Don de Paule Thomée</text>
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          <element elementId="79">
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Textes de Dominique Forest, Brigitte Fitoussi, Lamya Ben Djaffar, Ludovic Recchia.&#13;
Entretiens : &#13;
Nicolas Bovesse avec Lamya Ben Djaffar&#13;
Ronan Bouroullec, Florence Doléac, Mathieu Lehanneur avec Brigitte Fitoussi&#13;
Christian Ghion avec Ludovic Recchia&#13;
Nombreuses reproductions des oeuvres exposées.&#13;
Photographies de Véronique Vercheval.</text>
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                <text>Claude Aïello provient d’une famille de céramistes d’origine italienne. Né, en 1951, il a suivi son père à Vallauris en 1964. L’année suivante, il entame un apprentissage au sein de la faïencerie traditionnelle Saltamacchia. Au fil des années, il se perfectionne auprès de maîtres tourneurs de Vallauris. En 1974, Claude Aïello s’installe à son compte et se spécialise, dès les années 1980, dans la réalisation de pièces uniques ou de petites séries, notamment en collaboration avec Jacques-Fernand Orsini (meilleur ouvrier de France).&#13;
&#13;
En 1998, le Ministère de la Culture et de la Communication et la ville de Vallauris lancent l’opération « Deux designers à Vallauris » afin de valoriser le savoir-faire des artisans locaux. Après des visites d’ateliers, des designers (Roger Tallon, Martin Szekely, Olivier Gagnère…), plutôt habitués à collaborer avec l’industrie, choisissent des artisans afin de nourrir de véritables dialogues et de rénover la production de céramique utilitaire locale. C’est ainsi que Ronan Bouroullec (collection Torique, 1999) et Frédéric Ruyant (7 objets de table,2002) entrent en contact avec Claude Aïello.&#13;
Le succès de cette collaboration en entraîne d’autres : Nicolas Bovesse, Christian Ghion, Fernando et Humberto Campana (via la galerie Kreo), Adrien De Melo, David Dubois, Florence Doléac, Duende Studio, Jean-Baptiste Fastrez, Mathieu Lehanneur, Laurent Nicolas…&#13;
&#13;
En 2008, avec Mathieu Lehanneur, Claude Aïello entame L’âge du monde, une série de pièces modélisant en trois dimensions les pyramides des âges de différents pays. Pour cette collaboration, en 2010, ils reçoivent le « Prix Liliane Bettencourt pour l’Intelligence de la Main », catégorie « Dialogues ».&#13;
&#13;
Textes français : Dominique Forest, Brigitte Fitoussi, Lamya Ben Djaffar, Ludovic Recchia, Ronan Bouroullec, Florence Doléac, Christian Ghion, Mathieu Lehanneur.&#13;
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                <text>« Le mot “surréalisme” ne signifie rien pour moi », déclarait Magritte, alors que son ami Nougé acceptait l’étiquette « pour les commodités de la conversation ». Le surréalisme belge s’est distingué du surréalisme français par un certain nombre d’écarts : mise en cause de l’automatisme, reven-dication d’une musique surréaliste, humour et dérision sont ses marques de fabrique. D’André Souris à Tom Gutt, de Camille Goemans à Achille Chavée, la plupart des forces vives du mouvement sont rassemblées ici en des textes pour la plupart complets (et non des extraits). Y sont associés des auteurs qui n’ont pas nécessairement été surréalistes, mais sont témoins de la fécondité du mouvement, de Christian Dotremont aux ani-mateurs du Daily-Bul</text>
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Introduction de Stéphanie Angelroth, directrice de la Fondation Folon.&#13;
Texte de Roger Pierre Turine : "Segui en sa cour des miracles." &#13;
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                <text>23 X 23 cm</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="58454">
                <text>fr</text>
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              <elementText elementTextId="58455">
                <text>en</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="58456">
                <text>Ouvrage imprimé</text>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="58457">
                <text>93 p.</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="58458">
                <text>ACDB-ANG-A-0 000 185</text>
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          <element elementId="53">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="58459">
                <text>Antonio Segui est un grand artiste d’origine argentine, né à Cordoba en 1934. Après de nombreux voyages, il s’installe à Paris en 1963.&#13;
&#13;
La Fondation Folon à La Hulpe et le Salon d’Art à Bruxelles mettent à l’honneur le travail du peintre et du sculpteur. Antonio Segui a créé un petit personnage qui porte un chapeau et qui traîne un chien. Il traverse des villes surpeuplées de gens bizarres, des hommes qui courent en tous sens et des femmes parfois amputées, parfois écartelées. Elles ne leur emboîtent le pas. Elles semblent plantées dans le capharnaüm des villes, traversées par le mouvement incessant des hommes.&#13;
&#13;
Antonio Segui ne raconte pas des histoires, mais il plante ses personnages dans des situations incongrues et absurdes. Associé au mouvement de la figuration narrative, sans y adhérer, Antonio Segui fait surgir des images qui mêlent les réminiscences de l’enfance à la caricature sociale. Les arts précolombiens ont sans doute influencé le dessinateur, même si l’Argentin qui a vécu un temps au Mexique s’en défend aujourd’hui. Les personnages d’Antonio Segui, aux articulations anguleuses et aux mouvements mécaniques figés, pourraient être sortis d’un codex maya plus rigolo que sanguinaire, car l’humour du maître adoucit le tragique de notre monde de fous.</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Fonds Centre Daily-Bul &amp; C°</text>
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      <tag tagId="1538">
        <name>Catalogue d'exposition</name>
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      <tag tagId="11001">
        <name>Fondation Folon (La Hulpe)</name>
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      <tag tagId="10880">
        <name>Jacqueline Hall</name>
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      <tag tagId="343">
        <name>Jean-Michel Folon</name>
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      <tag tagId="11002">
        <name>Le Salon d'Art (Bruxelles)</name>
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      <tag tagId="9481">
        <name>Roger Pierre Turine</name>
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      <tag tagId="10879">
        <name>Stéphanie Angelroth</name>
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