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Dédicace de l'auteur à deux inconnus</text>
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Les onze chapitres de ce recueil illustrent les multiples facettes du kaléidoscope sonore : les instruments de musique -piano, violon, flûtes et trompettes- sont réexaminés à la lueur des méthodes physiques et mathématiques modernes, ainsi que les qualités particulières de la voix des chanteurs, l'acoustique des salles de spectacle, l'évolution du monde sonore animal et les extraordinaires règles arithmétiques de la campanologie, l'art de sonner les cloches.</text>
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Préface de  Carleeb Maley Hutchins&#13;
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1. Pysique et musique par Frederick Saunders&#13;
2. Le chant par Johan Sundberg&#13;
3. Le piano par E.Blackham&#13;
4. Comment vibrent les cordes d'un piano&#13;
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9. L'art de sonner les cloches par Bernard Jaulin&#13;
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11. L'évolution du monde sonore animal par Yveline Leroy&#13;
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&lt;li&gt;La nature et son double - p.1&lt;/li&gt;&#13;
&lt;li&gt;Promenade au Palais oyal ou des fifi des oiseaux pu beaux que panadis... / Théodore Koenig - p.2&lt;/li&gt;&#13;
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&lt;li&gt;L'habitant / Joseph Noiret - p. 5&lt;/li&gt;&#13;
&lt;li&gt;Le roi Moume / Norge - p. 6&lt;/li&gt;&#13;
&lt;li&gt;Le roi Midi - p. 6&lt;/li&gt;&#13;
&lt;li&gt;Max Bucaille ou la lampe à crémaillière / Paul Colinet - p. 7&lt;/li&gt;&#13;
&lt;li&gt;[Petite fille bien sage] / Léonce Rigot - p. 10&lt;/li&gt;&#13;
&lt;li&gt;[Ici, tout se joue dans l'oeil] / Roland Giguere - p. 10&lt;/li&gt;&#13;
&lt;li&gt;[Pour éclairer la plus modeste réalité...] / Marcel Havrenne - p. 10&lt;/li&gt;&#13;
&lt;li&gt;Chanson / Paul Neuhuys - p. 11&lt;/li&gt;&#13;
&lt;li&gt;Tilleul Tortu / Paul Dewalhens - p. 11&lt;/li&gt;&#13;
&lt;li&gt;La quinzaine de la prospopée / Marcel Havrenne - p. 12-13&lt;/li&gt;&#13;
&lt;li&gt;Hommage à une époque disparue / Joseph Noiret - p. 13&lt;/li&gt;&#13;
&lt;li&gt;Un court chapitre de la vie de Barnavaux / André Blavier - p. 14&lt;/li&gt;&#13;
&lt;li&gt;Bestiaire sans fashion / Marcel et Gabriel Piqueray - p. 15&lt;/li&gt;&#13;
&lt;li&gt;Maison sacrée / Achille Chavée - p. 16&lt;/li&gt;&#13;
&lt;li&gt;Pensées du petit Zézar / Zézar la brocante - p. 16&lt;/li&gt;&#13;
&lt;li&gt;D'un visage / Jean Séaux - p. 16&lt;/li&gt;&#13;
&lt;li&gt;Passages secrets - p. 17&lt;/li&gt;&#13;
&lt;li&gt;Echos et antistrophes - p. 18&lt;/li&gt;&#13;
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&lt;li&gt;Racine-Sculpture / Max Bucaille - p. 8&lt;/li&gt;&#13;
&lt;li&gt;La lampe à crémaillière / Max Bucaille - p. 9&lt;/li&gt;&#13;
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&lt;ul&gt;&#13;
&lt;li&gt;Dialogue des automates - p.1&lt;/li&gt;&#13;
&lt;li&gt;D'une position zen de Von Hofmannsthal - p. 2&lt;/li&gt;&#13;
&lt;li&gt;Possibilités de signes zen dans la création plastique / Marcel Lecomte - p. 3&lt;/li&gt;&#13;
&lt;li&gt;Le tremplin / Achille Chavée - p. 3&lt;/li&gt;&#13;
&lt;li&gt;Une partie de plaisir / René Magritte - p. 4&amp;nbsp;&lt;/li&gt;&#13;
&lt;li&gt;La maison qui perd ses portes / Marcel Havrenne - p. 6-7&lt;/li&gt;&#13;
&lt;li&gt;Merz, zen et considérations sur Merz / Théodore Koenig - p. 9-10&lt;/li&gt;&#13;
&lt;li&gt;Le de / Kurt Schwitters et Jean Arp - p. 10 et 11&lt;/li&gt;&#13;
&lt;li&gt;Dialectique du papillon / Joseph Noiret - p. 12&lt;/li&gt;&#13;
&lt;li&gt;Le clin d'oeil / Adrien Fell - p. 12&lt;/li&gt;&#13;
&lt;li&gt;De la nécessité de la connaissance / Jacques Lacomblez - p. 13&lt;/li&gt;&#13;
&lt;li&gt;Ornements pour une pipe de dimanche / Paul Colinet - p. 14-15&lt;/li&gt;&#13;
&lt;li&gt;Isabella / Christian Dotremont - p. 16&lt;/li&gt;&#13;
&lt;li&gt;Métamorphose des mirzophaloffs / Jacob Teillard - p. 17&lt;/li&gt;&#13;
&lt;li&gt;Un pédaliste m'a dit / Marcel et Gabriel Piqueray - p. 17&lt;/li&gt;&#13;
&lt;li&gt;Der Derm / Hui-Tsu - p. 19&lt;/li&gt;&#13;
&lt;li&gt;Portes dérobées - p. 20&lt;/li&gt;&#13;
&lt;li&gt;Catalogue du seul / Achille Chavée - p. 22&lt;/li&gt;&#13;
&lt;li&gt;Arene Hirmoire / Paul Bourgoignie - p. 22&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;&lt;strong&gt;Illustrations :&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;La place au soleil / René Magritte - p. 5&lt;/li&gt;&#13;
&lt;li&gt;MERZ-Arp / Kurt Schwitters - p. 8&lt;/li&gt;&#13;
&lt;li&gt;La quadrature du cercle / Wout Hoeboer - p. 13&lt;/li&gt;&#13;
&lt;li&gt;[Dessin] / Robert Willems - p. 14&lt;/li&gt;&#13;
&lt;li&gt;La mosquée du Caire montrée du doigt par son inventeur / Robert Willems - p. 15&lt;/li&gt;&#13;
&lt;li&gt;La couvée dangeureuse / Aubin Pasque - p. 19&lt;/li&gt;&#13;
&lt;li&gt;L'autre parole / René Magritte - p. 23&lt;/li&gt;&#13;
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volcaniques&#13;
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                <text>Joseph Noiret (1927 - 2012) est une grande figure de la culture et de l'art en Belgique. Fondateur du mouvement Cobra, il est aussi le créateur et l'animateur de la revue Phantomas. Poète, écrivain, il a dirigé longtemps l'école La Cambre. Il a fréquenté sans relâche les peintres (Dotremont, Alechinsky, Bury, Mogens Balle, Sergio Dangelo, Serge Vandercam, Maurice Wyckaert) à qui il demande parfois d'illustrer ses recueils de poésie quand il ne le fait pas lui-même ou en collaboration avec eux pour créer des "gouaches-mots" et des "collagesmots" à quatre mains. L'exposition illustre les différents aspects de la personnalité de Joseph Noiret et sa fascination pour la création artistique, en lien étroit avec l'écriture.</text>
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                <text>Marcel Daloze : Le passeur d'art&#13;
Joseph Noiret : La rue de la paille&#13;
Lettres de Christian Dotremont à Joseph Noiret&#13;
Richard Miller : Joseph Noiret, poète expérimental COBRA&#13;
Marie Godet : Joseph Noiret , compagnon de route de Christian Dotremont&#13;
Michel Olyff : Du Marais à La Cambre, passant par Cobra&#13;
Evelyne Huytebroeck : Joseph Noiret ou l'évidence Phantomas&#13;
Gabriel Belgeonne : texte sans titre&#13;
André Lamblin : Tel qu'en lui-même&#13;
Philippe Dewolf : Cet obscur besoin de parler en images....&#13;
Gérald Purnelle : Relire le poète Joseph Noiret</text>
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                <text>Antoine de Vinck est considéré comme l'un des maîtres du renouveau de l'art céramique européen de l'après-guerre. Son œuvre englobe aussi bien des pièces de poteries proprement dites (services de tables, vases, plats, bols, etc.) que des sculptures.&#13;
&#13;
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&#13;
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Jan Walgrave : Antoine de Vinck : l'homme et l'artiste&#13;
Anne-Marie Mariën-Dugardin : L'oeuvre d'Antoine de Vinck .&#13;
Yvonne Brunhammer : L'esprit de Ratilly&#13;
Pierre Puttemans : Antoine de Vinck et la création&#13;
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                  <text>&lt;p&gt;&lt;span lang="FR"&gt;&lt;strong&gt;Paul Neuhuys&lt;/strong&gt; (1897-1984), le principal animateur du groupe et de la revue&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Ça ira&lt;/em&gt;, éditeur attentif et persévérant, poète témoin tour à tour optimiste et pessimiste, de son siècle, constatera à la fin de sa vie que «&amp;nbsp;la poésie n’est plus qu’un état violent contre une humanité qui se déshumanise&amp;nbsp;», et s’écriera&amp;nbsp;:&amp;nbsp;«&amp;nbsp;Caressons, caressons, tant qu’il demeure entier, notre globe en danger, notre globe en péril, n’était-ce la lenteur d’un train privilégié...&amp;nbsp;»&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span lang="FR"&gt;La Fondation Ça ira se propose de stimuler et de publier des recherches concernant&lt;/span&gt;&lt;/p&gt;&#13;
&lt;ul type="disc"&gt;&#13;
&lt;li&gt;&lt;span lang="FR"&gt;le rôle et l’influence du groupe Ça ira dans les années vingt du XXième siècle, et leurs prolongements&amp;nbsp;;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;span lang="FR"&gt;l’interaction en Belgique entre les foyers d’avant-garde francophones et néerlandophones&amp;nbsp;;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;span lang="FR"&gt;les activités éditoriales de Ça ira de 1920 à 1984.&lt;/span&gt;&lt;/li&gt;&#13;
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&lt;p&gt;&lt;span lang="FR"&gt;Elle se propose également de rééditer l’œuvre, quasi introuvable, de Paul Neuhuys, y compris les inédits, ainsi que des ouvrages originaux le concernant, lui et d’autres auteurs édités par Ça ira.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span lang="FR"&gt;La Fondation publie depuis la fin décembre 1999 un bulletin trimestriel, dont nous publions ici en plusieurs livraisons une bibliographie succincte.&lt;/span&gt;&lt;/p&gt;</text>
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Deux fac-similés de lettres de Willy Koninckx.&#13;
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&lt;p&gt;&lt;span lang="FR"&gt;La Fondation Ça ira se propose de stimuler et de publier des recherches concernant&lt;/span&gt;&lt;/p&gt;&#13;
&lt;ul type="disc"&gt;&#13;
&lt;li&gt;&lt;span lang="FR"&gt;le rôle et l’influence du groupe Ça ira dans les années vingt du XXième siècle, et leurs prolongements&amp;nbsp;;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;span lang="FR"&gt;l’interaction en Belgique entre les foyers d’avant-garde francophones et néerlandophones&amp;nbsp;;&lt;/span&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;span lang="FR"&gt;les activités éditoriales de Ça ira de 1920 à 1984.&lt;/span&gt;&lt;/li&gt;&#13;
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&lt;p&gt;&lt;span lang="FR"&gt;Elle se propose également de rééditer l’œuvre, quasi introuvable, de Paul Neuhuys, y compris les inédits, ainsi que des ouvrages originaux le concernant, lui et d’autres auteurs édités par Ça ira.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span lang="FR"&gt;La Fondation publie depuis la fin décembre 1999 un bulletin trimestriel, dont nous publions ici en plusieurs livraisons une bibliographie succincte.&lt;/span&gt;&lt;/p&gt;</text>
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&#13;
Suivi de "Lettres ouvertes à quelques jeunes écervelés... du même auteur.&#13;
&#13;
Couverture : bois de Oscar Jespers dans Bezette stad.&#13;
Reproduction d'une gravure sur bois de Oscar Jespers. (1921)&#13;
Plusieurs citations de Paul van Ostaijen en néerlandais.&#13;
Fac-similé d'un poème de Guillaume Apollinaire manuscrit  par Paul van Ostaijen. (1922) </text>
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&lt;p&gt;&lt;span lang="FR"&gt;La Fondation Ça ira se propose de stimuler et de publier des recherches concernant&lt;/span&gt;&lt;/p&gt;&#13;
&lt;ul type="disc"&gt;&#13;
&lt;li&gt;&lt;span lang="FR"&gt;le rôle et l’influence du groupe Ça ira dans les années vingt du XXième siècle, et leurs prolongements&amp;nbsp;;&lt;/span&gt;&lt;/li&gt;&#13;
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&lt;li&gt;&lt;span lang="FR"&gt;les activités éditoriales de Ça ira de 1920 à 1984.&lt;/span&gt;&lt;/li&gt;&#13;
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&lt;p&gt;&lt;span lang="FR"&gt;Elle se propose également de rééditer l’œuvre, quasi introuvable, de Paul Neuhuys, y compris les inédits, ainsi que des ouvrages originaux le concernant, lui et d’autres auteurs édités par Ça ira.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span lang="FR"&gt;La Fondation publie depuis la fin décembre 1999 un bulletin trimestriel, dont nous publions ici en plusieurs livraisons une bibliographie succincte.&lt;/span&gt;&lt;/p&gt;</text>
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&lt;p&gt;Henri-Floris JESPERS, Autour et alentours : Léon, Chenoy, pp. 1-35, ill.&lt;/p&gt;&#13;
&lt;span&gt;En bref&amp;nbsp;:&amp;nbsp;&lt;/span&gt;&lt;em&gt;Indications&lt;/em&gt;&lt;span&gt;, hors-série Paul Willems&amp;nbsp;; Christian Bussy,&amp;nbsp;&lt;/span&gt;&lt;em&gt;Les surréalistes au quotidien&lt;/em&gt;&lt;span&gt;&amp;nbsp;; Gérard Berréby, Piet de Groof, Le général situationniste, pp. 36-44.&lt;/span&gt;</text>
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&lt;p&gt;&lt;span lang="FR"&gt;Elle se propose également de rééditer l’œuvre, quasi introuvable, de Paul Neuhuys, y compris les inédits, ainsi que des ouvrages originaux le concernant, lui et d’autres auteurs édités par Ça ira.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span lang="FR"&gt;La Fondation publie depuis la fin décembre 1999 un bulletin trimestriel, dont nous publions ici en plusieurs livraisons une bibliographie succincte.&lt;/span&gt;&lt;/p&gt;</text>
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