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&lt;li&gt;Le tombeau de Linné&lt;/li&gt;
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                <text>Moins connu que les Saisons ou le Livre de la neige, longtemps réservé aux amateurs de l’œuvre de François Jacqmin, le Domino gris (1984) est son recueil le plus âpre, le plus réflexif aussi : le poète y enregistre les échecs de l’interrogation métaphysique, mais aussi les arrêts que le temps impose à la pensée, au langage, à la vie même. Art poétique à rebours, ce livre matriciel de l’œuvre postérieure mène un travail de sape de la prétention à dire et à faire œuvre. Mais le délicieux paradoxe de la poésie de François Jacqmin est que l’impuissance du verbe s’y énonce dans une phrase précise, élégante, laconique sans sécheresse, dans un poème qui, avec une cruauté affichée, mais aussi un humour discret voire une secrète tendresse, n’exclut ni la sensualité de la pensée ni le plaisir de la lecture.&#13;
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                <text>Comme le miroir se joue de la réflexion, voici 25 ans que la Pensée Bul tourne le dos aux &lt;em&gt;concepts&lt;/em&gt;, Cette position, confortable pour les uns, incommode pour d'autres, permet à cette pensée - le plus souvent adéquate - de résoudre beaucoup d'anxiétés philosophiques et esthétiques. &lt;br /&gt;Dans ce dernier &lt;em&gt;champ&lt;/em&gt;, et plus précisément celui de l'art, la Pensée Bul peut promener allègrement sa charrue, comme les paysans de Millet le fesaient dans le &lt;em&gt;champ&lt;/em&gt; de la pomme de terre. &lt;br /&gt;Grâce à nos amis artistes, à leurs propos, à leurs images, la notion d'&lt;em&gt;art bul&lt;/em&gt; reste plus que jamais pragmatique. Un quart de siècle a déjà permis d'en faire un bilan. Bilan, comme la mer, toujours recommencé.&lt;br /&gt;&lt;div style="text-align:right;"&gt;André Balthazar et Pol Bury&lt;/div&gt;</text>
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&lt;li&gt;Secrétaire d'état à la diphtongue&lt;/li&gt;&#13;
&lt;li&gt;Ministre du calembour territorial&lt;/li&gt;&#13;
&lt;li&gt;Ministre aux intempéries régionales&lt;/li&gt;&#13;
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&lt;li&gt;Ministre des mesures transitoires&lt;/li&gt;&#13;
&lt;li&gt;Ministre des querelles intestines&lt;/li&gt;&#13;
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&lt;li&gt;Sabbioneta&lt;/li&gt;
&lt;li&gt;Un printemps&lt;/li&gt;
&lt;li&gt;Union&lt;/li&gt;
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&lt;li&gt;Seine de nuit&lt;/li&gt;
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                <text>Alain Borer est connu pour avoir écrit plusieurs essais sur Rimbaud dont un "Rimbaud en Abyssinie" qui fit date.&#13;
&#13;
J'ai retrouvé une charmante petite plaquette numérotée et gentiment dédicacée par l'auteur, intitulée "Bestiaire" , dédiée à Michel Butor, parue en 1979 en Belgique aux prestigieuses éditions  Daily-Bul dans la collection 'Les Poquettes Volantes". En voici quelques extraits pour passer le temps, les fêtes sont parfois si ennuyeuses....&#13;
&#13;
&#13;
"Car c'est ne pas régner qu'être deux à régner" Corneille (Pompée,1,2)</text>
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                <text>La rétention même : l'accord de l'image bien nette, aux encadrements de papier blanc et de pierre bleue, qui détermine le tableau où se découpe le châssis. Bifurcation vers les croisées et les bas de casse : rideau.&lt;br /&gt;La sculpture potiche - et cette synchise de Province : la posture, organisent le spectacle. L'oeil s'anime. Le promeneur contemple cette fois, rétrospectivement, la foule.&lt;br /&gt;C'est un pays étranger où tous les visages se ressemblent et s'assemblent, comme il se doit : Guide en main, voici la fenêtre n°24. Ces Messieurs ont produit de l'ouvrage bien faite.&lt;br /&gt;Qui illustre qui ? Who is who ? Les (trop) rares textes de Baltha. sont tendus comme une peau de tambour ; les (très) belles images de Vercheval finiront par faire péter la page. &lt;br /&gt;&lt;br /&gt;Livre muet, livre hurleur. Le temps assourdi se referme. Rien n'est secondaire. Tout est essentiel. On se tient droit debout, on salue. &lt;br /&gt;&lt;br /&gt;Fenêtres à vue : une entreprise salutaire. Un solide avenir. Il fallait que cela fût dit.&lt;br /&gt;&lt;div style="text-align:right;"&gt;&lt;br /&gt;Pierre Puttemans&lt;br /&gt;Extrait de Phantomas, n° 152-157, décembre, 1977&lt;/div&gt;
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="4918">
                <text>1970L00142</text>
              </elementText>
              <elementText elementTextId="17583">
                <text>FPH-ROS-R-0 000 473</text>
              </elementText>
              <elementText elementTextId="22646">
                <text>FPPB-FAR-R-0 000 056</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4919">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="4920">
                <text>14 x 22 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4921">
                <text>fr</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="17582">
                <text>23 p.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="994">
        <name>Le Congru et l'Incongru</name>
      </tag>
      <tag tagId="1000">
        <name>M Rosier</name>
      </tag>
      <tag tagId="999">
        <name>M. Faraday</name>
      </tag>
      <tag tagId="1001">
        <name>Recherches expérimentales - M. Faraday</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
