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&#13;
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&#13;
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                <text>Tomber la veste avec grâce&#13;
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Mosaïque d'artistes et redécouverte de ses textes.&#13;
&#13;
DANIÈLE GILLEMON&#13;
&#13;
Une exposition en forme de portrait ? Voilà qui n'est jamais facile, surtout quand le principal intéressé est foncièrement allergique aux pistes bien tracées et passeur patenté, de surcroît, de mots et d'émotions dont il extrait comme personne, mais mezzo voce, les saveurs secrètes.&#13;
&#13;
Deux comparses, Roland Breuker et Alain Delaunois, ont donc fait ce qu'il était « commissairement » possible pour approcher, dans cette exposition sympathique, la personnalité complexe et attachante d'André Balthazar, ses deux faces, plastique et littéraire, souvent interpénétrées.&#13;
&#13;
Lové à sa région comme Blavier à Verviers (ou Michaux à Namur !), il en a, comme eux, éprouvé et transgressé les limites.&#13;
&#13;
On ne pénètre dans l'intimité de ce personnage secret, de ce « rêveur immobile » affublé en poète singulier que jusqu'à un certain point, retrouvant ses textes et son intérêt pour un certain type d'expression artistique tout en humeurs concrètes et subversives.&#13;
&#13;
Camille De Taeye avec son lexique de matières incongrues, la beauté cavalière de ses « intégrations » est évidemment au rendez-vous comme Bury, le vieux complice - les jeux toujours frais de ses cinétisations - ou Alechinsky dont les enluminures sur vieilles obligations ont gardé une indéniable verdeur.&#13;
&#13;
Les Segui, Vinche, Belgeonne de la première heure étaient bien faits, eux aussi, pour l'intéresser, maniant le corpusculaire et le cosmique, le rustique, le social et le poétique sans effets de manche. Les humoristes noirs, Topor, Searle, Breuker..., sont là, pas loin des chefs de file, Magritte, Dotremont, Giacometti et les autres.&#13;
&#13;
Tous ont, bien entendu, tombé la veste. Comment s'étonner dès lors que l'homme Balthazar a aussi collectionné les... emballages d'orange. Pas les épluchures que, l'air de rien, il laisse aux artistes professionnels !&#13;
&#13;
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Né en 1934 à La Louvière, André Balthazar aura l'occasion d'apprécier la littérature et l'art dès l'enfance. Cette ouverture familiale le conduira vers des études de philologie romane à l'ULB. En 1950, il fait la connaissance de Pol Bury, peintre et sculpteur, qui lui ouvrira les portes des milieux artistiques et l'amènera à fréquenter les cercles surréalistes, Cobra, l'art abstrait et bien d'autres. Cinq ans plus tard, il fonde avec Bury l'académie Montbliart, d'où émergera, en 1957, la maison d'édition Daily Bul. Il publie son premier recueil de textes, « La personne du singulier », illustré par Pierre Alechinsky, en 1963. André Balthazar en écrira une quinzaine d'autres de manière irrégulière, tout en poursuivant ses activités d'enseignant, de critique d'art et d'éditeur. Il fera également partie des fondateurs du Centre de la gravure et de l'image imprimée de La Louvière.&#13;
&#13;
Selon Alain Delaunois, l'un des commissaires de l'exposition, André Balthazar est resté discret sur son œuvre littéraire pendant très longtemps, privilégiant ses activités d'éditeur et différenciant clairement les deux occupations. Ses poèmes et ses textes en prose font souvent référence à sa vie, notamment à ses souvenirs d'enfance.&#13;
&#13;
L'auteur imposait également à ses écrits personnels une forme plus rigoureuse que celle autorisée dans le Daily Bul. Même s'il est arrivé à l'écriture par le surréalisme, sa formation reste celle d'un romaniste. On retrouve ce tiraillement entre classicisme et désinvolture dans des ouvrages tels que « Linnéaments » (illustré par Breuker) ou encore « Buffoneries » et, déjà, dans le choix de son mémoire, consacré à Henri Michaux, partagé lui aussi entre rigueur et délire. Mais, contrairement à Michaux ou à son ami Achille Chavée, André Balthazar a toujours observé une certaine réserve, s'effaçant presque derrière ses activités d'éditeur.·&#13;
&#13;
S. d. P. (st.)&#13;
&#13;
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                <text>Une douzaine d'histoires - dont certaines imbriquées les unes dans les autres à la façon des matriochkas - que relient l'obsédante quête d'une collectionneuse à la recherche d'une poupée volée jadis dans un parc et les aventures parfois risquées, souvent déroutantes, de deux brocanteurs traquant l'aubaine rare au fond des greniers à vider ou croyant la saisir dans le double reflet bleuté d'une vitrine de bordel.</text>
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                <text>Tout, tout, tout, vous saurez tout sur la frite, avec ce "Carrément frites" aussi déjanté et rassembleur que peut l'être ce symbole.&#13;
&#13;
Grâce à ce premier grand ouvrage en langue française sur le sujet, vous connaîtrez enfin l'histoire de la frite et des frituristes, leurs origines, la culture qu'ils véhiculent, l'humour et l'amour qui leur sont attachés... Et parce que la frite se déguste avant tout, vous apprendrez à cuisiner la vraie frite belge, à la distinguer de ses cousines illégitimes, mais aussi à préparer les meilleures sauces traditionnelles.&#13;
&#13;
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&#13;
En parlant de sauce, revenons à l'essentiel: sur les frites ou à part?&#13;
&#13;
"Carrément frites" est illustré de plusieurs dizaines de photos reflétant la culture frituresque, mais également de reportages signés par la photographe Nancy Coste.&#13;
&#13;
"Carrément frites" dévoile en outre de nombreuses histoires et anecdotes qui vous entraînent dans les coulisses du Musée de la Frite à Bruxelles de Home Frit' Home.</text>
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Dessins de Claude Galand et Claudine Jamagne&#13;
Textes de François Liénard</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>fr</text>
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                <text>Ouvrage imprimé</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="60532">
                <text>ACDB-GAL-L-0 000 058</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="60533">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
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      <tag tagId="1538">
        <name>Catalogue d'exposition</name>
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      <tag tagId="654">
        <name>Claude Galand</name>
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      <tag tagId="1720">
        <name>Claudine Jamagne</name>
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      <tag tagId="714">
        <name>François Liénard</name>
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      <tag tagId="11113">
        <name>Le Chalet de Haute Nuit</name>
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  <item itemId="4650" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Bibliothèque Centre Daily-Bul &amp; C°</text>
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    <itemType itemTypeId="18">
      <name>Publication</name>
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              <text>D/1987/4721/6</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Folon au Botanique</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="60540">
                <text>Folon, Jean-Michel</text>
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          <element elementId="37">
            <name>Contributor</name>
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              <elementText elementTextId="60541">
                <text>Semprun, Georges</text>
              </elementText>
              <elementText elementTextId="60542">
                <text>Hubert, Jean-Pierre</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="60543">
                <text>Centre Culturel Le Botanique</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="60544">
                <text>1987</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Catalogue d'exposition "Images pour des mots" du 3 décembre 1987 au 31 janvier 1988&#13;
Don de Paule Thomée</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>24X 27 cm</text>
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                <text>Ouvrage imprimé</text>
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            <name>Medium</name>
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              <elementText elementTextId="60549">
                <text>np</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ACDB-FOL-I-0 000 277</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="60551">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
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      <tag tagId="2184">
        <name>Botanique (Bruxelles)</name>
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      <tag tagId="1538">
        <name>Catalogue d'exposition</name>
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      <tag tagId="343">
        <name>Jean-Michel Folon</name>
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      <tag tagId="11058">
        <name>Jean-Pierre Hubert</name>
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      <tag tagId="11057">
        <name>Jorge Semprun</name>
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