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                <text>&lt;p&gt;1996.&lt;/p&gt;&#13;
&lt;p&gt;Mi-août.&lt;/p&gt;&#13;
&lt;p&gt;En Belgique éclate en plein jour l'affaire Marc Dutroux.&lt;/p&gt;&#13;
&lt;p&gt;La suite de l'histoire se déroulera à l'ombre.&lt;/p&gt;&#13;
&lt;p&gt;Septembre.&lt;/p&gt;&#13;
&lt;p&gt;Le Pape Jean-Paul&amp;nbsp;II vient célébrer le quinze centième anniversaire du baptême de Clovis à Reims en compagnie du président de la République laïque Jacques Chirac.&lt;/p&gt;&#13;
&lt;p&gt;Sans aucun doute, c'est cela que signifie séparation de l'Eglise et de l'Etat.&lt;/p&gt;&#13;
&lt;p&gt;En Belgique, on jubile en silence.&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;i&gt;Fais-moi le son d'une bénédiction.&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;i&gt;Je te fais le son de la voix de Svetlana Broz, petite-fille de Josip Broz, Tito, maréchal autocrate de Yougoslavie.&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;i&gt;(...)&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;i&gt;Je te fais le son des paroles de Svetlana, invoquant la&lt;/i&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;nécessaire dénazification des consciences.&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;i&gt;Je te fais le son du coeur de Svetlana, cardiologue de son état.&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt;&lt;i&gt;(...)&lt;/i&gt;&lt;/p&gt;&#13;
&lt;p&gt;-&amp;nbsp;On va se battre&amp;nbsp;?&lt;/p&gt;&#13;
&lt;p&gt;-&amp;nbsp;Contre l'abrutissement organisé nous ne cesserons de résister.&lt;/p&gt;</text>
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                <text>&lt;span&gt;&lt;strong&gt;Yves Klein&lt;/strong&gt; a ouvert l'art sur l'immatériel. Et l'immatériel se trouve à portée de métro. Comment y aller. Prendre ce qui s'appelait autrefois la Ligne de Sceaux et aujourd'hui le R.E.R. Descendre à la station " Fontenay-aux-Roses " dont la gare a conservé son élégance XIXe siècle. Traverser la place. longer le Café de la Gare où déjeunent, en terrasse, les enseignants de l'Université des Arts plastiques et Sciences de l'art. Tourner à gauche. C'est là. " écrit &lt;strong&gt;Pierre Descargues&lt;/strong&gt; dans sa préface. Yves Klein, ceinture noire 4e dan de Judo, a eu tout un parcours à Fontenay-aux-Roses, petite ville de la banlieue sud de Paris, où il vécut enfant avec ses parents, les peintres Fred Klein et Marie Raymond, où un de ses disciples a dirigé un club de Judo et où il y eut des amitiés. C'est aussi à Fontenay qu'Yves Klein, l'homme du bleu, du rose, de l'or, de l'immatériel, Yves Klein, l'homme des femmes pinceaux, tableaux de feu, artiste météore disparu en 1962, à 34 ans, a réalisé le fameux saut dans le vide, dont la photo a fait le tour du monde, origine de sa légende.&lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;L'auteur&lt;/span&gt; : &lt;strong&gt;Terhi Génévrier-Tausti&lt;/strong&gt; écrit pour la presse japonaise et prépare un ouvrage sur Yves Klein et le Japon. Elle a organisé une exposition à Tokyo, à la galerie Itsutsuji, des photographies que le Fontenaysien &lt;strong&gt;Pierre Descargues&lt;/strong&gt; a prises d'Yves Klein. En 2002, elle a collaboré à un film sur Yves Klein programmé à la télévision nationale japonaise, où des séquences furent tournées à Fontenay, sous sa direction. Terhi Génévrier-Tausti, qui a la double nationalité, française et finlandaise, a été Premier Secrétaire, Attaché de Presse, Attaché Culturel près l'Ambassade de Finlande à Tokyo. Elle a organisé de grandes expositions internationales et a été décorés commandeur (3e grade) de l'ordre du Trésor Sacré de l'Empereur du Japon. Fontenaysienne d'adoption, elle dirige l'Association Culturelle Internationale Berthe et a organisé, à Fontenay-aux-Roses, plusieurs expositions ainsi que la venue de la compagnie de Karaté, le Dôshinkan. &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Le préfacier&lt;/span&gt; : &lt;strong&gt;Pierre Descargues&lt;/strong&gt;, journaliste et historien d'art, est un fontenaysien de longue date. Il a souvent interviewé et photographié Yves Klein qui a fréquenté sa maison, notamment avec Ursula Kubler, veuve de Boris Vian, et le scénographe Jacques Polieri. Les photos que Pierre Descargues a prises d'Yves Klein ont fait l'objet d'expositions à Paris, Genève, Sydney et Tokyo. Auteur de nombreux livres d'art aussi bien ancien que contemporain, Pierre Descargues a publié, en 2004, une monographie sur Yves Klein parue aux éditions Ides et Calendes.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</text>
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                <text>4 textes suivis de nombreuses photographies:&#13;
&#13;
1- Photographier les outils de Alain Ceysens&#13;
&#13;
2-Objets inanimés, avez-vous une âme...&#13;
&#13;
3-L'intime vibration de Colette Nys-Mazure&#13;
&#13;
4-Odon Boucq, Christian Rolet, José Sahagun, Jean-Claude Saudoyez, Alain Winance : la passion des outils et des instruments de travail. Par Jacky Legge.</text>
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&#13;
André Chabot.&#13;
&#13;
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                <text>Bonne nouvelle que cette traduction en français d’un ouvrage paru en 2010 et qui s’attache à réévaluer le Nouveau Réalisme à l’aide de divers outils théoriques (marxisme, féminisme, freudisme, etc.). Jill Carrick porte une attention particulière à ce qu’Arman appelait la « dérestanysation », c’est-à-dire à l’examen des prises de position du fédérateur du groupe, Pierre Restany, et ce, à partir des critiques qui sont rapidement apparues à la suite de la naissance du Nouveau Réalisme (Gérald Gassiot-Talabot par exemple, qui convoqua à ce propos le Roland Barthes des Mythologies), mais également du fait des artistes mêmes de ce rassemblement hétéroclite, et tout particulièrement de Daniel Spoerri et sa Topographie anécdotée du hasard où l’autrice voit comme une alternative à la doxa restanienne.</text>
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&#13;
Donnant à une centaine de jeunes la possibilité de participer à la collection “Histoire(s) en images”. Permettant à des artistes de toutes disciplines d’exprimer leur conception, leur manière de travailler et de vivre leur art,  parmi les 85 titres de la collection “Conversation avec…” : Joseph Beuys, Andy Warhol, Pierre Soulages, Jan Fabre, Tomi Ungerer, Lucien Kroll.</text>
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Texte "Les phénomènes " de Lorenza Trucchi&#13;
Texte "Le phénomène et la merveille" de Laurent Busine</text>
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                <text>Nul besoin d’aller au loin chercher des raretés, tout est là devant votre nez ou par terre à vos pieds. On y trouvera tout ce qu’on cherche sans avoir à se déplacer. Je suis un touriste d’un genre particulier : tout pittoresque m’incommode et c’est où le plus il est absent que s’éveille mon émerveillement.&#13;
&#13;
— Jean Dubuffet, Apercevoir, 1958&#13;
&#13;
Artiste insaisissable et polémique, Jean Dubuffet (1901-1985) est un acteur majeur de la scène artistique de la seconde moitié du xxe siècle. Fasciné par le papier, l’encre et l’imprimerie, l’estampe est profondément liée à son œuvre peinte.&#13;
&#13;
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&#13;
La seconde section dévoilait les recherches qui ont précédé et annoncé ce cycle unique dans l’histoire de l’estampe du xxe siècle. De la série des Murs de 1945 aux Assemblages d’empreintes de 1953, le processus de création de l’artiste aboutira aux savoureuses figures à chapeau de 1962 issues des Phénomènes.&#13;
&#13;
Jean Dubuffet ne se veut pas « artiste » au sens conventionnel de la parole et son œuvre lithographique se présente plutôt comme un très vaste répertoire de formes, un conservatoire, un catalogue, une sorte d’herbier ou de musée naturel qui se pourrait augmenter indéfiniment car ses capacités sont illimitées.&#13;
&#13;
Cette exposition – représentant une plongée exceptionnelle dans des expérimentations lithographiques réalisées par Jean Dubuffet – a été organisée avec l’aide de la Fondation Dubuffet.</text>
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                <text>Rassemble des lettres et documents, de 1946 à 1949 (articles sur Albert Gleize, contes, poèmes,...) adressés à l'éditeur René Rougerie et à Raymond Briant, responsable à Nantes d'une chronique de culture ouvrière dans la Voix des travailleurs. Lettres savoureuses, textes qui révèlent une personnalité complexe, singulière et attachante, parfois volontairement provocatrice... ©Electre 2022</text>
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                <text>Don Suzanne Tremblay</text>
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                <text>Maman Jeanne est une femme simple qui a connu la condition commune qu'ont vécu et vivent encore tant de femmes, autrefois, maintenant, ici et ailleurs. Mariée à un négociant en spiritueux choisi par son père, elle se retrouve rapidement veuve avec trois fils dont l'un lourdement handicapé.&#13;
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                <text>Les nuits sont longues, surtout celle qui se prépare quand on atteint l’âge qu’on dit grand, pour ne pas dire qu’au contraire on s’y rétrécit, rabougrit, ratatine et radote parfois. On en vient alors à apprécier particulièrement le timide soleil qui réchauffe les os, réveille la cervelle, renvoie le sang au feu des passions et le souffle à l’ardeur de son verbe.&#13;
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            <description>The material or physical carrier of the resource.</description>
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                <text>ACDB-KOC-D-0 000 340</text>
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                <text>Ces œuvres sont apparentées aux travaux de feu l’Académie de Montbliart toute proche (demeure occupée au début des années 1950 par l'écrivain André Balthazar et le peintre-sculpteur Pol Bury, adeptes du surréalisme. Ils y publièrent la revue “Le Daily Bul”)&#13;
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                <text>Fonds Centre Daily-Bul &amp; C°</text>
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                <elementText elementTextId="14">
                  <text>Bibliothèque Centre Daily-Bul &amp; C°</text>
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              <text>500 ex.&#13;
Ex. N°125</text>
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              <elementText elementTextId="60751">
                <text>Centre de la Gravure et de l'Image Imprimée (La Louvière)</text>
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                <text>Publication réalisée à l'occasion de l'exposition Pierre Caille présentée au Centre de la Gravure et de l'Image Imprimée du 21 septembre au 15 décembre 1996.&#13;
Reproductions de peintures exposées.&#13;
Introduction de Catherine de Braekeleer.&#13;
Texte de Dominique Durinckx : "a la rencontre de Pierre Caille"&#13;
Texte de Robert Kayser : "Mémoire de pressier..."</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The material or physical carrier of the resource.</description>
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                <text>32 p.</text>
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                <text>Héritier d’une tradition de burlesque, de dérision et d’onirisme surréaliste, Pierre Caille illustre à lui seul le monde de la belgitude créative. Son univers iconographique, empreint d’humour parfois noir, regorge de personnages et d’animaux colorés et grimaçants.&#13;
&#13;
" Je ne suis pas celui qui mène le cortège avec le drapeau en tête mais plutôt celui qui est en queue de peloton pour le plaisir d’être ailleurs, en faisant quelques cabrioles assez vaines pour me moquer de moi-même, pour être un peu seul ". Pierre Caille</text>
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                <text>Michel Lamart, excellent poète et chroniqueur rémois, nous invite à partager sa vision de l'oeuvre du cher Arthur Rimbaud par des poèmes très courts et jamais touffus. On est loin des longues phrases de Rimbaud où celui-ci concoctait ses bijoux : que de trouvailles et hardiesses ! ont donné d'autres éclats au réel et une autre dimension au langage. À côté du fabuleux « je est un autre » Lamart, parmi tant d'autres qui ont aimé l'auteur des « Illuminations », a osé nous proposer ses poèmes. Avec beaucoup de subtilité, ils se réfèrent à certains vers de Rimbaud : « Mer Poème qui / Enivre le poète / Et le berce / D'éclats oniriques / De cils rougeoyants / Et de brumes violettes / Tandis que sur la flache / Dérade son bateau ». D'autres, caractéristiques de la vie du révolté de Charleville, sont mis en évidence, entre autres : « A Babylone / Ivrogne d'entre les ivrognes / Victimes d'orgies / Abracadantesques ».</text>
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                <text>Fonds Centre Daily-Bul &amp; C°</text>
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            <name>Title</name>
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                <text>Alphabet du Bestiaire</text>
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                <text>Lebrau, Jean</text>
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              <elementText elementTextId="60780">
                <text>Les carnets de l'oiseau-mouche</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The material or physical carrier of the resource.</description>
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                <text>ACDB-LEB-A-0 000 338</text>
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            <name>Provenance</name>
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                <text>Fonds Centre Daily-Bul &amp; C°</text>
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            <name>Accrual Method</name>
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                <text>Don de Yves De Bruyn</text>
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        <name>Bestiaire</name>
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        <name>Jean Lebrau</name>
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        <name>Poésie</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="60791">
                <text>Réminiscences</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="60792">
                <text>Brune, Elisa</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="60793">
                <text>Editions de l'Académie Internationale d'Eté (Libramont)</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="60794">
                <text>2000</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>11 X 15 cm</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="60796">
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="60797">
                <text>Ouvrage imprimé</text>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="60798">
                <text>11 p.</text>
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          <element elementId="43">
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                <text>ACDB-BRU-R-0 000 220</text>
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            <name>Provenance</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="14">
                  <text>Bibliothèque Centre Daily-Bul &amp; C°</text>
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        <element elementId="96">
          <name>Tirage</name>
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              <text>316 ex.&#13;
Ex.N°202</text>
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        <element elementId="105">
          <name>Justification du tirage ordinaire</name>
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              <text>300 ex. sur papier Featherweight numéroté 1 à 300</text>
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        <element elementId="106">
          <name>Justification du tirage de tête</name>
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          <elementTextContainer>
            <elementText elementTextId="60839">
              <text>15 ex. sur papier Hollande Van Gelder numérotés de I à XV</text>
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        <element elementId="107">
          <name>Justification du tirage personnel</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="60840">
              <text>1 ex. hors-commerce marqué A.C.</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="60826">
                <text>Cristal de vivre</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60827">
                <text>Chavée, Achille</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="60828">
                <text>Editions de Haute Nuit</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="60830">
                <text>Don de Benoit Bruneau&#13;
Dédicace de l'auteur à Georges Bruneau</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
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            <description>A language of the resource</description>
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              <elementText elementTextId="60832">
                <text>fr</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60833">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="60834">
                <text>56 p.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="60835">
                <text>ACDB-CHA-C-0 000 262</text>
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            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="60836">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
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        <name>Achille Chavée</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Bibliothèque Centre Daily-Bul &amp; C°</text>
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        <element elementId="96">
          <name>Tirage</name>
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Ex. N°228</text>
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        <element elementId="105">
          <name>Justification du tirage ordinaire</name>
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            <elementText elementTextId="60853">
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        <element elementId="106">
          <name>Justification du tirage de tête</name>
          <description/>
          <elementTextContainer>
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              <text>15 ex. numérotés de I à XV</text>
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        <element elementId="107">
          <name>Justification du tirage personnel</name>
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            <elementText elementTextId="60855">
              <text>1 ex. hors commerce marqué A.C.</text>
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      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60841">
                <text>Blason d'amour</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="60842">
                <text>Chavée, Achille</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="60843">
                <text>Editions de Haute Nuit</text>
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          <element elementId="40">
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            <description>An account of the resource</description>
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                <text>Don de Benoit Bruneau&#13;
Dédicace de l'auteur à Georges Bruneau</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="60846">
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          <element elementId="44">
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            <description>A language of the resource</description>
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              <elementText elementTextId="60847">
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60848">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="60849">
                <text>57 p.</text>
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          <element elementId="43">
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ACDB-CHA-B-0 000 258</text>
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          <element elementId="90">
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              <elementText elementTextId="60851">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
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Ex. N°133</text>
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        <element elementId="106">
          <name>Justification du tirage de tête</name>
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&#13;
Il partage ses pépites lors de conférences endiablées où les jeux de mots, les calembours, les traits d’esprit marquent à jamais les auditeurs ébaubis par tant de verve.&#13;
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Il était temps que Michel rejoigne la joyeuse troupe des joviaux aphoristologues de la bande à Cactus.</text>
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Du fou&#13;
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                <text>Ce que j'écris, c'est une liberté. Une gratuité. La gratuité, c'est le prix que je donne aux vérités et aux libertés. La gratuité, c'est le don. Voilà mon seul gage de crédibilité. (...)</text>
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                <text>Chenot, Francis</text>
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          <element elementId="45">
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              <elementText elementTextId="60937">
                <text>L'Arbre à paroles</text>
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                <text>Attention ! chute d'aphorismes. Francis Chenot a le&#13;
culot du fumeur de pipe, il nous assène doucement&#13;
ses petites formules déliquescentes, des sentences&#13;
définitivement provisoires. Il ouvre son sac à&#13;
malices et trouve des «débiles sans manteaux», des&#13;
«bavards adipeux». Ça grince à tous les étages, ses&#13;
vérités vagabondent sur les chemins de la poésie,&#13;
elles y rencontrent quelques surréalistes (belges de&#13;
préférence), avec ce merveilleux clin d'oeil à Achille&#13;
Chavée, comme si le fantôme de la rue Ferrer à la&#13;
Louvière hantait les rives mal famées de la Meuse.&#13;
Francis Chenot nous offre ici ses «stères de silence»&#13;
et quelques îlots de parole. L'aphorisme est ce&#13;
petit caillou logé dans la chaussure de la grande&#13;
Littérature.&#13;
&#13;
Alain Dantinne</text>
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                <text>Fonds Centre Daily-Bul &amp; C°</text>
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            <description>A name given to the resource</description>
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                <text>La contagion du rêve</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="60958">
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          <element elementId="40">
            <name>Date</name>
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            <description>An account of the resource</description>
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La Seyne-sur-Mer&#13;
Textes des contributeurs :&#13;
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et traduction anglaise&#13;
*Yvon Taillandier : La contagion du rêve&#13;
*Joyce Mansour : Clerté au-delà du ressac&#13;
*Désirée Hayter : Les doges de la Venise Verte&#13;
*Jean-Michel Ribes : Moi de toutes façons j'ai...&#13;
*Edgar Pillet : Oriflammes au vent, bataillant...&#13;
*Ghislaine Amon : Un conteur mélancolique&#13;
*Paul Duchein : Un monde merveilleux et sarcastique&#13;
*Jean-Claude Meinioux : Il sognatore di Giovani&#13;
*Jean Cortot : Au nouveau Poitou&#13;
*Pierre Alechinsky : Suite des gestes matinaux&#13;
*François Julien : Question :&#13;
*Daniel Pommereulle : Pages ... d'endroit&#13;
*Jean-Jacques Lerrant : Sur les reliquaires de Clerté&#13;
*André Laude : Voilà un artiste&#13;
*Marie-Odile Andrade : Dans sa robe Isabelle,&#13;
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*Michel Laclos : A Jean Clerté&#13;
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            <description>The file format, physical medium, or dimensions of the resource</description>
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      <tag tagId="11274">
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        <name>Jean Cortot</name>
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                <text>Depuis 2015, Jean-Pol Stercq a pris Granville (Manche) comme port d’attache. Après la parution du livre L’Œil à facettes, en juin 2021, le photographe belge expose plusieurs d’entre elles au restaurant la Contremarche, dans la Haute-Ville. « Certaines sont des vues de la région, d’autres de plus loin », explique l’artiste. Des instantanés autour des cabines de plages de Donville-les-Bains aux photographies de Budapest, Bruxelles ou Berlin… Jean-Pol explique être « patient et chanceux » pour saisir « l’instant où un cycliste va s’inviter sur une place centrale presque désertée par les voitures » Des instantanés de vie quotidienne et des scènes de rue « au caractère poétique » .&#13;
&#13;
Un stock de plusieurs milliers de photos&#13;
Accompagnée de courts textes, une vingtaine de photos, dont une majorité en noir et blanc, est présentée. D’autres tirages, retravaillés à la méthode Stercq, mettent en avant des personnalités comme l’auteur de bandes dessinées Hugo Pratt, Germaine, l’épouse de René Magritte ou un travesti du cabaret parisien de Madame Arthur. L’embarras pour le photographe qui avoue avoir « des milliers de photos en stock </text>
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                <text>Sous le nom Suzy Embo (BE °1936) se cache un témoin privilégié de la scène artistique avant-gardiste de l'après- guerre. « Artiste photographe » et « photographe d'artistes », Embo vit dans l'amitié de Pierre Alechinsky et l'intimité de Reinhoud d'Haese. Outre son travail personnel, qui l'associe à la Subjektive Fotografie, elle réalisera des portraits informels d'artistes de la scène internationale, pris sur le vif ou saisis au coeur de leur processus créatif : Karel Appel, Brassaï, André Breton, Pol Bury, Christian Dotremont, Corneille Hannoset et tant d'autres. Suzy Embo. Foto's / Photos 1953-1980 révèle son oeuvre, tout en nous livrant un témoignage unique sur la période « post-Cobra ».</text>
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Reproductions des oeuvres exposées&#13;
Préface de Fabienne Capot&#13;
Couverture de René Magritte&#13;
4ème de couverture de Man Ray</text>
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                <text>Notre invité Xavier Canonne est docteur en histoire de l'art et dirige le Musée de la Photographie de la Communauté française à Charleroi. Dès les années 1970, il a connu et fréquenté les surréalistes belges dont certains furent ses intimes. Il est l'auteur de l'ouvrage de référence " Le surréalisme en Belgique 1924-2004 " (Fonds Mercator/Actes Sud 2007).&#13;
&#13;
Le surréalisme est à l'honneur du Grand Charivari de la rentrée à l'occasion de l'exposition " L’étincelle surréaliste " au Musée des lettres et manuscrits qui présente pour la première fois à Bruxelles le manuscrit autographe du Manifeste du Surréalisme rédigé par André Breton - le manuscrit contemporain le plus cher au monde, acquis par le musée au prix de 3 600 000 euros! (jusqu'au 21 octobre)&#13;
&#13;
Le surréalisme tiendra également le haut de l'affiche à La Louvière dès la fin septembre avec l'exposition " Un abécédaire pour La Louvière " dont Xavier Canonne est le commissaire et qui rassemble des oeuvres surréalistes issues des collections de la Province de Hainaut, de la Ville de La Louvière et du Centre de la Gravure et de l’Image imprimée (au Centre de la gravure et de l'image imprimée, du 28 septembre au 23 décembre)</text>
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