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                <text>Aux sources des politiques culturelles : suffrage universel et action publique en matière d'éducation populaire</text>
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                <text>Editions du Cerisier</text>
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                <text>Hainaut Culture Tourisme</text>
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Quelques reproductions de photos, dessins et tableaux d'artistes de l'époque</text>
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                <text>Il y a un siècle, à la fin de la Première Guerre mondiale, le monde basculait. Après les premières élections au suffrage universel en mai 1919, celui-ci était inscrit dans la Constitution en mai 1921. La journée de huit heures sur six jours de travail, fixée dans le Traité de Versailles en juin 1919, était inscrite dans la Constitution en juin 1921. Ces bouleversements sociétaux sont le socle de la création de la Commission provinciale des loisirs de l'ouvrier qui trouve son aboutissement en 1921.&#13;
Le comité éditorial à l'initiative de cette publication réunit la Direction de la culture de la Province du Hainaut, l'Observatoire des politiques culturelles de la Fédération Wallonie-Bruxelles et la Fondation Louis Piérard. Par un travail impressionnant de remise au jour des documents historiques, en les analysant et les contextualisant, les auteurs permettent de comprendre la généalogie de ce que nous appelons aujourd'hui la "politique culturelle" .</text>
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                <text>Préface de Jacques Gobert&#13;
Livre édité à l'occasion de l'exposition Trésors Cachés.&#13;
A l’occasion du 150e anniversaire de la Ville de La Louvière, l’exposition Trésors cachés sort des réserves l’impressionnante collection artistique communale. &#13;
L'exposition s'est déroulée du 23/03/2019 au 29/09/2019.&#13;
Reproductions des 300 oeuvres exposées.&#13;
13 textes de différents auteurs.&#13;
+ Benoit Goffin et Thierry Delplancq :"Un siècle d'amitiés artistiques à La Louvière"&#13;
+ Ludovic Recchia :"Les faïences de Boch et la céramique d'artiste dans les collections de la Ville de La Louvière."&#13;
+ Michel Host :"L'histoire d'une épopée culturelle en Hainaut".&#13;
+ Benoit Goffin :"A la recherche d'une identité fondatrice. Une collection aux accents de traditions populaires.&#13;
+ Benoit Goffin :"Buisseret, Liénaux et Vandenhouten.&#13;
trois figures de l'enseignement artistique en Hainaut.&#13;
+ Christine Bechet :"de Rupture à l'escargot, les spirales d'une histoire".&#13;
+ Gwendoline Morán Debraine :"Achille Chavée animateur d'art".&#13;
+ Denis Laoureux :"Femmes artistes en Hainaut. La collection de La Louvière au prisme du genre".&#13;
+ Valérie Formery :" Le patrimoine urbain".&#13;
+ Adèle Santocono :"La collection à travers les artistes lauréats du Prix du Hainaut des arts plastiques".&#13;
+ Catherine de Brakeleer :"Une ville, une collection d'estampes".&#13;
+ Catherine Henkinet :" Un vivier d'artistes de la Fédération Wallonie-Bruxelles. Les acquisitions récentes de la collection du MILL.&#13;
+ Valérie Formery :"Une collection en devenir." &#13;
&#13;
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&#13;
A l’occasion du 150e anniversaire de la Ville de La Louvière, l’exposition Trésors cachés sort des réserves l’impressionnante collection artistique communale. D’Anna Boch à Pol Bury, d’Anto Carte à René Magritte, cet ensemble de plus de 1200 œuvres offre un témoignage méconnu ‒ car rarement exposé ‒ des orientations artistiques en Hainaut.&#13;
&#13;
Derrière cette sélection d’une centaine d’œuvres, c’est une politique d’acquisition, voire une politique culturelle, qui sont à découvrir. Au-delà des grands noms de l’art belge ou hainuyer, Trésors cachés cherche à sortir de l’ombre des artistes oubliés par le temps. Forte de ce parti pris, elle tend à démontrer que la notion de trésor, bien loin de toute considération matérielle, n’est jamais éloignée de celle de coup de cœur.&#13;
&#13;
Commissariat : Benoît GOFFIN&#13;
&#13;
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        <name>Catalogue d'exposition</name>
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        <name>Christian Rolet</name>
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                <text>Les Amis des musées de Verviers</text>
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                <text>Catalogue d'exposition "Le cube au carrré²" à partir du 16/02/2008 à Verviers. Sur une idée de Bob Van der Auwera. La même exposition a été présentée à La Louvière au Musée Ianchelevici du 24/01 au 08/03/2009. Avec des œuvres de Francis Dusépulchre et Georges Vercheval. </text>
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                <text>Deblanc-Magnée, Marie-Paule</text>
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                <text>Lefebvre, Laurence</text>
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                <text>Couverture de Pierre Zanzucchi.&#13;
Préface de Claude Durieux&#13;
Catalogue d'exposition à la Bibliothèque centrale de la Province du Hainaut rue Paul Pastur 7100 La Louvière du 26 mai au 24 juin 2006</text>
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                <text>En fait, Carl Norac, collectionneur d'instants. 20 ans d'écrits, 20 ans d'images est le catalogue d'une exposition qui se tient actuellement à la Médiathèque d'Orléans et qui se tiendra en mai et juin à La Louvière ; mais c'est également une œuvre en soi, à la fois bilan et création, livre de souvenirs et de découvertes. Richement illustré – de photos, de pages et de couvertures d'albums, de manuscrits -, l'ouvrage comporte de nombreux témoignages, heureusement plus précis que complaisants, qui éclairent sur les diverses facettes du travail de l'auteur. C'est un peu comme s'il s'agissait de réunir ce qui est peut-être, parfois, anormalement dissocié – du moins dans l'esprit du public ou, plus sûrement, des vilains critiques : dans ces pages, le poète en prose, le poète en vers, le conteur, le voyageur, le badaud, le voleur d'instants, le fils (de Pierre et Irène Coran), le père (d'Else), le fin connaisseur de la poésie passée et présente cessent enfin d'apparaître comme des personnes différentes. Et le meilleur réside dans les passages que Carl Norac a écrits lui-même, dans les inédits ou les extraits de livres qu'il offre en partage au lecteur. </text>
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                <text>Revue Spantole N° 339bis 50ème année</text>
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          <element elementId="79">
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            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="63086">
                <text>109 p.</text>
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                <text>ACDB-FOU-J-0 000 112</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Fonds Centre Daily-Bul &amp; C°</text>
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        <name>Claude Haumont</name>
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        <name>Peji</name>
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        <name>Roger Foulon</name>
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        <element elementId="111">
          <name>Dépôt légal</name>
          <description/>
          <elementTextContainer>
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              <text>2015/4102/1</text>
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            <elementTextContainer>
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                <text>Gérard Bruno</text>
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                <text>Legge, Jacky</text>
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            <elementTextContainer>
              <elementText elementTextId="63097">
                <text>Editions Centre La Pommeraie Ellignies Sainte-Anne</text>
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              <elementText elementTextId="63098">
                <text>Maison de la Culture Tournai</text>
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            <name>Date</name>
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          <element elementId="41">
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Textes des contributeurs</text>
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                <text>“Des artistes naissent à l’atelier sans que le temps ait une prise sur eux. Jean-Pascal mettra plusieurs années avant de trouver le sens artistique à donner à son travail quotidien. Louis Poulain aussi, qui sans relâche remettra le travail sur le métier pour faire naître ses éblouissantes scènes colorées dont une fera l’affiche du musée du facteur cheval, entre autre.&#13;
Il est difficile de détailler chacun des événements qui ont ponctué la vie de l’atelier durant ces vingt-cinq années, alors, arbitrairement nous avons choisi d’en présenter un par année. Ils sont autant de fils qui tissés l’un avec l’autre ont généré la délicate toile dont le fruit vous est présenté dans ce magnifique ouvrage…” (Jacques Clicheroux, sous-directeur du Centre La Pommeraie, Ellignies-Sainte-Anne.)</text>
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        <name>Carine Fol</name>
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      <tag tagId="11707">
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      <tag tagId="11710">
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        <name>Isabelle Laure</name>
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      <tag tagId="8256">
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      <tag tagId="11695">
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      <tag tagId="11696">
        <name>Jacques Robert</name>
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      <tag tagId="11715">
        <name>Jacques Trovic</name>
      </tag>
      <tag tagId="11697">
        <name>Jean-Jacques Bonnier</name>
      </tag>
      <tag tagId="11719">
        <name>Jean-Michel Wuilbeaux</name>
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      <tag tagId="11713">
        <name>Jean-Pascal Pécheux</name>
      </tag>
      <tag tagId="11701">
        <name>Jean-Yves Chabot</name>
      </tag>
      <tag tagId="11716">
        <name>Louis Baelens</name>
      </tag>
      <tag tagId="11714">
        <name>Louis Poulain</name>
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      <tag tagId="11706">
        <name>Ludivine Flips</name>
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      <tag tagId="11694">
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      <tag tagId="11702">
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      <tag tagId="11708">
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      <tag tagId="11693">
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      <tag tagId="649">
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      <tag tagId="11705">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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              </elementText>
            </elementTextContainer>
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                <text>Collages 2007-2017</text>
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              <elementText elementTextId="63115">
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              <elementText elementTextId="63116">
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              <elementText elementTextId="63117">
                <text>Iori, Boris</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="63124">
                <text>Fondation Andrée et Pierre Arty</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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Textes des contributeurs.&#13;
</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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          <element elementId="44">
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            <description>A language of the resource</description>
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              <elementText elementTextId="63129">
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            <description>The nature or genre of the resource</description>
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                <text>Ouvrage imprimé</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>ACDB-DUV-C-0 000 269</text>
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          </element>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="63133">
                <text>Sa pratique fait un clin d’œil au poète Guillaume Apollinaire dont les calligrammes étonnaient par la disposition graphique sur la page. A l’instar du cadavre exquis, jeu pratiqué par les artistes surréalistes, elle réunit des fragments de corps sortis de l’œuvre d’Anto Carte aux côtés d’images de la peinture classique ou de la peinture de la Renaissance italienne. Des visions de Magritte ou de Dali se déposent comme des papillons dans les œuvres d’Emelyne Duval qui mise sur le choc poétique des images.</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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      <tag tagId="1435">
        <name>collages</name>
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      <tag tagId="10172">
        <name>Emelyne Duval</name>
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        <name>Eric Ledune</name>
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        <name>Xavier Canonne</name>
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      <description/>
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        <element elementId="95">
          <name>ISBN</name>
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          <elementTextContainer>
            <elementText elementTextId="63147">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Fernand Dumont 1906-1945</text>
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                <text>Aux cailloux des chemins</text>
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              <elementText elementTextId="63137">
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                <text>Di Rupo, Elio</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>livre édité à l'occasion de l'exposition "Aux cailloux des chemins" du 13 octobre au 24 décembre 2006 à la Salle Saint-Georges, Grand'Place à Mons par Communauté française de Belgique, la Ville de  Mons et les Editions Labor.&#13;
Préface de Elio Di Rupo.</text>
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                <text>Ouvrage imprimé</text>
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Images de Jan Peter Thorbecke.&#13;
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                <text>1869, La Louvière naît.&#13;
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&#13;
De ce terreau industriel jaillissent des idées, des commerces, des parcs, des châteaux, des écoles qui donnent à cette jeune cité une mémoire vivante.&#13;
Alain Dewier, guide conférencier à l’Ecomusée du Bois-du-Luc, vous conduit dans La Louvière depuis son éclosion jusqu’à nos jours à travers 200 photographies et cartes postales.</text>
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                <text>A la suite du succès du 1er tome consacré à La Louvière, Alain Dewier, guide conférencier à l'Ecomusée du Bois-du-Luc, vous conduit dans les nombreux hameaux de La Louvière depuis son éclosion jusqu'à nos jours à travers 200 photographies et cartes postales dites dont la plupart sont issues des collections de l'Ecomusée.&#13;
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&#13;
L'Ecomusée est établi sur le site minier du Bois-du-Luc. Ce site classé Patrimoine exceptionnel de Wallonie est aussi l'un des seuls points d'ancrage représenter la Wallonie dans la Route Européenne du Patrimoine Industriel (ERIH).&#13;
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                <text>Belgique, terre d'aphorismes</text>
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                <text>Anthologie subjective</text>
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                <text>Béchet, Christine</text>
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            <name>Publisher</name>
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                <text>Cactus Inébranlable Editions</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="63212">
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            <description>An account of the resource</description>
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              <elementText elementTextId="63213">
                <text>Dédicace de Michel Delhalle au Daily Bul.&#13;
Préface de Christine Béchet.&#13;
Couverture de Emelyne Duval.</text>
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                <text>13 X 20 cm</text>
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                <text>299 p.</text>
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                <text>ACDB-DEL-B-0 000 290</text>
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                <text>L’aphorisme, c’est l’art d’exprimer en peu de mots une phrase qui constitue un tout, c’est l’exercice de la formulation d’un condensé qui peut s’avérer drôle, poétique, absurde, violent, contestataire…&#13;
&#13;
Michel Delhalle s’est donné comme mission de répertorier les auteurs belges qui ont pratiqué (ou pratiquent encore) cette gymnastique qui consiste à en dire beaucoup en économisant les mots.&#13;
&#13;
Le résultat ?&#13;
Environ 2000 aphorismes et plus de 300 auteurs parmi lesquels des romanciers, des poètes, des humoristes, des chanteurs, des personnalités, mais aussi des inconnus au bataillon de la littérature reconnue par les Académies.&#13;
&#13;
Amateurs de la forme brève, vous allez vous régaler !</text>
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                <text>Fonds Centre Daily-Bul &amp; C°</text>
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        <name>aphorismes</name>
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              <text>978-989-8618-79-5 (Sistema Solar / Documenta)</text>
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          <name>Dépôt légal</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="63241">
              <text>399799/15 (PT)</text>
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            <description>A name given to the resource</description>
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                <text>Un autre livre rouge</text>
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                <text>Castro, Lourdes</text>
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                <text>Zimbro, Manuel</text>
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                <text>Lisboa : Biblioteca de Arte Gulbenkian </text>
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                <text>Lisboa : Documenta, 2015</text>
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            <description>An account of the resource</description>
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                <text>Published on the occasion of an exhibition held at the Museu Calouste Gulbenkian, Lisbon, Portugal, July 9-October 26, 2015.&#13;
Chiefly illustrated.</text>
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                <text>24 X 33 cm</text>
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            <description>A language of the resource</description>
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                <text>en</text>
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                <text>fr</text>
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                <text>de</text>
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            </elementTextContainer>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="63236">
                <text>234 p.</text>
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          <element elementId="43">
            <name>Identifier</name>
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              <elementText elementTextId="63237">
                <text>ACDB-CAS-A-0 000 236</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Fonds Centre Daily-Bul &amp; C°</text>
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        <name>Catalogue d'exposition</name>
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      <tag tagId="420">
        <name>Lourdes Castro</name>
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        <name>Manuel Zimbro</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Regards et témoins</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Descargues, Pierre</text>
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                <text>Descargues, Catherine</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="63245">
                <text>Drouot-Richelieu Paris</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2005</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="63247">
                <text>Catalogue de ventes aux enchères à la galerie Drouot-Richelieu le 07/102005 à 11h00 et 14h00 et le 08/10/2005 à 14h00. Reproductions en couleurs des oeuvres à vendre.</text>
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            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="63248">
                <text>21 X 28 cm</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="63249">
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="63250">
                <text>Ouvrage imprimé</text>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="63251">
                <text>276 p.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="63252">
                <text>ACDB-DES-R-0 000 299</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="63253">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
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      <tag tagId="1538">
        <name>Catalogue d'exposition</name>
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      <tag tagId="10131">
        <name>Pierre Descargues &amp; Catherine Valogne</name>
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        <element elementId="95">
          <name>ISBN</name>
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            <elementText elementTextId="63268">
              <text>978-2-87505-021-2</text>
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          <name>Dépôt légal</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="63269">
              <text>2009/9407/121</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="63255">
                <text>Confidences de l'Olivier</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="63256">
                <text>Buyse, Sophie</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="63257">
                <text>Sack, Stephen</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="63258">
                <text>maelstrÖm reEvolution</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="63259">
                <text>2009</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Couverture : photo de Stephen Sack</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="63261">
                <text>14 X 21 cm</text>
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            <description>A language of the resource</description>
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              <elementText elementTextId="63262">
                <text>fr</text>
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            <name>Type</name>
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                <text>Ouvrage imprimé</text>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="63264">
                <text>260 p.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="63265">
                <text>ACDB-BUY-C-0 000 212</text>
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                <text>Une poignée de chercheurs aventureux et excentriques fonde l’espoir de découvrir les raisons de la croissance inexpliquée des stérilités humaines. Ils se mettent au diapason des cellules et s’initient à un voyage à travers les fééries et l’inventivité de la reproduction sous toutes ses formes : animale, végétale et humaine. Éloge des sens et des bizarreries sexuelles de la nature.&#13;
Leurs recherches les mènent au coeur de l’Amazonie où ils seront guidés par l’intelligence intuitive des peuples de la forêt qui dialoguent avec la nature. Rencontre entre les savoirs, union de l’Aigle et du Condor, des scientifiques et des chamanes.&#13;
&#13;
Si les trois premiers romans de Sophie Buyse peuvent être décrits comme autant de variations sur le thème de l´art (l´écriture, la peinture, la musique), ce quatrième, à la fois roman d´anticipation et fiction naturaliste, nous invite à une nécessaire réconciliation entre l´homme et l’environnement.</text>
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                <text>Fonds Centre Daily-Bul &amp; C°</text>
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          <name>Dépôt légal</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="63290">
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            <name>Title</name>
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                <text>Catalogue de l'exposition &lt;em&gt;Le Gille sens dessus dessous&lt;/em&gt; au Musée international du Carnaval et du masque (Binche), 6 février au 9 mars 2013</text>
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                <text>Botteldoorn, Emilie</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Kroll, Pierre</text>
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              <elementText elementTextId="63273">
                <text>Vanderhaegen, Eliane</text>
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                <text>Mäuseler, Sabine</text>
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                <text>Bouffioux, Benoit</text>
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                <text>Desart, Olivier</text>
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                <text>Desart, Raphaël</text>
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              <elementText elementTextId="63278">
                <text>Deliège, Christel</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="63279">
                <text>Le Musée du Masque (Binche)</text>
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            <name>Date</name>
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              <elementText elementTextId="63280">
                <text>2013</text>
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Recherches d'archives de Eliane Vanderhaegen&#13;
Recherche de documentation de Sabine Mäuseler&#13;
Graphisme de Benoit Bouffioux&#13;
Photos de Olivier Desart et de Raphaël Desart&#13;
Pour le Musée international du Carnaval et du Masque : Christel Deliège&#13;
Couverture : caricature de Pierre Kroll&#13;
&#13;
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&#13;
Le carnaval de Binche atteint son apogée lors des Jours gras qui sont précédés de six semaines de préparatifs pré-carnavalesques. Ces derniers consistent en six sorties dominicales de trois types différents: les répétitions de batterie où, dans un premier temps, les sociétés (c’est-à-dire les groupes des futurs gilles du Mardi gras) auditionnent leur batterie dans leur local respectif, au sein d’un café du centre-ville ; les soumonces en batterie (du terme « semondre» : annoncer, en vieux français) où, dès 17 heures, les sociétés sortent au rythme des tambours et grosses caisses dans le cœur de la cité ; et, enfin, les soumonces en musique, où un orchestre de cuivres vient se joindre aux batteries. Lors de ces dernières, les participants portent en général le costume du Dimanche gras de l’année précédente (un costume de fantaisie).&#13;
&#13;
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                <text>sur les fleuves impossibles et ceux qui les fréquentent</text>
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                <text>ACDB-BOD-P-0 000 202</text>
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                <text>Collon-Gevaert, Suzanne</text>
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                <text>Janne, Raymond</text>
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                <text>Musée de l'Art wallon</text>
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                <text>Catalogue d'exposition.&#13;
Préface de Raymond Janne&#13;
3 introductions :&#13;
+ Lambert Lombard et son temps par Jacques Hendrick&#13;
+ Jean Gossart de Maubeuge et Lambert Lombard&#13;
   Par Suzanne Collon-Gevaert&#13;
+ Les Graveurs liégeois par Louis Moyano</text>
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                <text>Catalogue d'expositions ayant eu lieu en 1998 et 1999 à Nantes, Montpellier et Charleroi. &lt;br /&gt;Textes de Françoise Fauconnet-Buzelin, Anaïk Domergue, Jean-Pierre Verheggen, Lieven Van Den Abeele, Vincent Rousseau et Nadia Raison. &lt;br /&gt;&lt;br /&gt;Préfaces de Jean-Marc Ayrault, Georges Frêche et Guy Rassel. &lt;br /&gt;Nombreuses reproductions d'oeuvres de Chaissac.</text>
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                <text>34 X 40 cm</text>
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          <element elementId="44">
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            <description>A language of the resource</description>
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            <description>The nature or genre of the resource</description>
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          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="63358">
                <text>352 p.</text>
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          <element elementId="53">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="63359">
                <text>L'exposé suit les quatre grandes périodes dont la coupure est marquée par les années 1918, 1925, 1939. Il laisse apercevoir à tout moment la diversité, la complexité, les nuances de l'invention picturale. Un texte qui met en relief les raisons d'aimer la peinture de notre temps, un glossaire des principaux termes techniques, un index qui comporte plus de 500 noms de peintres, 62 photographies noir et blanc, composent cet ouvrage.</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="63360">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ACDB-GEN-P-0 000 239</text>
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    <tagContainer>
      <tag tagId="2089">
        <name>Cubisme</name>
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      <tag tagId="2008">
        <name>Dadaïsme</name>
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      <tag tagId="12869">
        <name>Expressionnisme</name>
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      <tag tagId="12868">
        <name>Fauvisme</name>
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      <tag tagId="11761">
        <name>Peinture contemporaine</name>
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      <tag tagId="10526">
        <name>Peinture naïve</name>
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      <tag tagId="11760">
        <name>Robert Genaille</name>
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      <tag tagId="1428">
        <name>Surréalisme</name>
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        <element elementId="111">
          <name>Dépôt légal</name>
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              <text>imprimé le 25/01/1991</text>
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            <name>Title</name>
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                <text>Henri Heerbrant (1912 - 1982)</text>
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            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Hommage</text>
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            <description>An entity responsible for making the resource available</description>
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            <description>An account of the resource</description>
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              <elementText elementTextId="63369">
                <text>Textes de :&#13;
+ Raymond Lacroix : Henri Heerbrant - Un homme, une &#13;
   oeuvre.&#13;
+ Jeannine Lenaerts (sans titre)</text>
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              <elementText elementTextId="63370">
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                <text>Ouvrage imprimé</text>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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          <element elementId="53">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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              <elementText elementTextId="63376">
                <text>L'art à facettes d'Henri Heerbrant &lt;br /&gt;Il n'a certes rien fait pour qu'on le reconnaisse, mais l'oublier dans l'histoire de l'art belge serait une erreur &lt;br /&gt;ROGER PIERRE TURINE &lt;br /&gt;&lt;br /&gt;Il y a de ces coups de coeur que la galeriste, l'enthousiaste Jeannine Lenaerts, répercute avec une volubilité convaincante. Depuis dix ans qu'elle épingle régulièrement les diverses facettes de l'art d'Henri Heerbrant (1912-1982), il faudrait être sourd et aveugle pour ne pas percer les secrets capiteux d'une oeuvre qui, loin de tout cénacle, s'est fabriquée seule et sans filet. Heerbrant n'était certes pas un homme facile! Si votre tronche ne lui revenait pas, fussiez-vous son supérieur, il vous refaçonnait une bobine à faire fuir les moineaux. &lt;br /&gt;Et si d'aventure le milieu artistique optait tout à coup pour d'autres valeurs- étalons que les siennes, pas question pour lui de s'aligner dans le troupeau. Réfractaire et individualiste farouche, il n'en était pas moins un défenseur passionné des petits contre les grands. &lt;br /&gt;C'est dès lors dans un climat à la fois d'opprobre et de refus qu'il s'érigea, lentement mais sûrement, en plasticien ouvert à toutes les démarches, pourvu qu'il pût s'y complaire en toute liberté. Caricaturiste aussi bien que puriste de la ligne, inventeur baroque autant que généreux pamphlétaire, Heerbrant fut tour à tour réaliste et abstrait, surréaliste et matiériste. &lt;br /&gt;L'exposition explicite assez bien les divers pôles d'une oeuvre qui, pour variée, n'en est pas moins lucide et attractive sous tous ses angles. D'étonnants monotypes réalisés selon une cuisine très particulière et probante, de savoureux dessins que n'aurait pas reniés un Grosz, des épures colorées riches en déclinaisons, des morceaux de poésie visuelle d'une étrange alchimie: c'est un peu tout cela que réverbère une oeuvre qui doit encore être découverte jusqu'en ses replis les plus savants. &lt;br /&gt;Gageons que cette belle exposition y servira! &lt;br /&gt;&lt;br /&gt;© La Libre Belgique 2002&lt;br /&gt;&lt;br /&gt;Group 2 Gallery, 8 rue Blanche, Bruxelles. Jusqu'au 25 mai, du mercredi au samedi, de 14 à 18h.</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="63377">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="69140">
                <text>ACDB-L-LEN-H-0 000 510</text>
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    <tagContainer>
      <tag tagId="1538">
        <name>Catalogue d'exposition</name>
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      <tag tagId="3479">
        <name>Henri Heerbrant</name>
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      <tag tagId="11762">
        <name>jeannine Lenaerts</name>
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      <tag tagId="12873">
        <name>Lou Cosyn</name>
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      <tag tagId="11763">
        <name>Raymond lacroix</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Fleur de Citronnier</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Sanchez, Nemesio</text>
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                <text>De Taeye, Camille</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="63382">
                <text>Gerard, Danielle</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="63383">
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="63385">
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="63386">
                <text>31 x 22 cm</text>
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            <description>A language of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="63388">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="63389">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ACDB-L-SAN-F-0 000 512</text>
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        <name>Nemesio Sanchez</name>
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      <name>Publication</name>
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        <element elementId="95">
          <name>ISBN</name>
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          <name>Dépôt légal</name>
          <description/>
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              <text>octobre 1985</text>
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        </element>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="63390">
                <text>Je parle avec les mains</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="63391">
                <text>Breucker, Roland</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="63392">
                <text>Haller, Bernard</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="63393">
                <text>Gilbert Salachas&#13;
</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="63394">
                <text>1985</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="63395">
                <text>Textes et dessins de Roland Breucker&#13;
préface de Bernard Haller</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="63396">
                <text>22 x 31 cm</text>
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          </element>
          <element elementId="44">
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              <elementText elementTextId="63397">
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            <description>The nature or genre of the resource</description>
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                <text>ouvrage imprimé</text>
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            <description>The material or physical carrier of the resource.</description>
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          <element elementId="43">
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                <text>ACDB-BRE-P-0 000 222</text>
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            <name>Abstract</name>
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                <text>A regarder l'oeuvre de Roland Breucker, on n'ose pas trop en parler parce qu'elle parle toute seule. Du moins le semble-t-il. A y réfléchir et peut-être mieux voir (on sait que les yeux ne sont pas loin de la tête et de son cervau), le regardeur - dans les accidents de la route, on parle de témoin - trouve des espaces dans lequels il peut mijoter des idées à lui.&#13;
&#13;
Ainsi, ouvrant des livres et catalogues (aussi des boites d'archives où de petits dessins furtifs, au crayons abondent), je me surpris à rapprocher cette oeuvre, et peut-être son auteur, de la pomme de terre.&#13;
Ô, Monsieur Patate, bobine de semoule et de croquette dorée, vous qui savez de quoi la Bintje est capable, dans sa silhouette et dans son silence, si paisible, salut à vous et à vos marionnettes non comestibles.&#13;
&#13;
L'auteur souvent noir vêtu, proche de la terre, celle un peu grasse qui connut le charbon ; ses personnages aux rondeurs tubercules immobilisés dans des gestes assis ou suspendus, germinent(*) vers des lumières qui sont peut-être celles d'un ciel en rase-motte. Des danseuses ont des radicelles vers le bas, sous les bras ou ailleurs ; de francs goguenards aux dentitions de fécule rousse, voire de mildiou, ont des torticolis vers le haut, la bouche experte en diagonale, comme celles des mangeurs de frites qui fréquentent les antipodes.&#13;
On peut aussi y trouver - la terre est inventive et la pomme exubérante - sur des peaux apparemment tendues et fraiches, des turgescences allègres, des enflures de bonnes digestions, des polypes rubiconds, des érections florales... Ce qui n'empêche pas la grâce et d'aériens élans, loin des pieds, qui sont menus pour mieux se faire oublier dans la légèreté de l'air.&#13;
J'ai employé le mot "grâce", un mot qui convient bien à Roland Breucker qui, quoi qu'il y paraisse, n'a que faire de l'enfer.&#13;
Homme de lexiques, il est aussi un peu aztèque, je crois.&#13;
&#13;
Un Simulateur de tubercules&#13;
André Balthazar</text>
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                <text>Fonds Centre Daily-Bul &amp; C°</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bibliothèque littéraire</text>
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="63409">
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                <text>Catalogue d'une vente aux enchères de livres rares et manuscrits à Paris hôtel Drouot Richelieu salle 5 le mercredi 3 décembre et jeudi 4 décembre 2003 à 14h15</text>
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Textes de Jacques Vaché et Thomas Bertail.&#13;
Catalogue réalisé par un nombre important de contributeurs.</text>
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                <text>Inventif et roboratif, le catalogue de l’exposition bruxelloise, consacrée à l’humour et l’art, chez Skira, explore la dimension transgressive du premier, épine superbe dans le sérieux du second. Quand le rire est un éclat – d’obus, de vérité, de liberté.</text>
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