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              <text>D/1990/0348/32</text>
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                <text>Catalogue de l'exposition &lt;em&gt;Jacques Muller, peintre&lt;/em&gt; à la Maison de la Culture de Tournai, 13 octobre au 11 novembre 1990</text>
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                <text>Balthazar, André</text>
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                <text>Catalogue édité à l'occasion de 2 expositions "Jacques Muller" présentées à &#13;
- Maison de la Culture de Tournai (13/10/1990 -&#13;
 11/11/1990)&#13;
- Centre de la Gravure à La Louvière (20/10/1990 - 25/11/1990)&#13;
Conception et réalisation de :&#13;
+ André Balthazar&#13;
+ Pierre Bouvry&#13;
+ Jacky Legge&#13;
+ Marc Secret&#13;
- Avant-propos de François Narmon&#13;
-Textes de :&#13;
+ "Jacques Muller, nouveau regard humaniste" de Serge Goyens de Heusch"&#13;
+ "Portrait" de André Willeket&#13;
+ "Témoignages" de Jean-Pierre Point&#13;
+ "Au Bon Marché" interview de Jacky Legge et Marc Secret"&#13;
+ Texte sans titre de Pierre Van.&#13;
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                <text>21 X 29 cm</text>
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                <text>Ouvrage imprimé</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>80 p.</text>
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                <text>ACDB-BAL-J-0 000 241</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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              <elementText elementTextId="63456">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
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        <name>André Balthazar</name>
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        <name>André Willequet</name>
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        <name>Catalogue d'exposition</name>
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        <name>Centre de la Gravure et de l'image imprimée (La Louvière)</name>
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        <name>Jacky Legge</name>
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        <name>Maison de la Culture (Tournai)</name>
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        <name>Marc Secret</name>
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        <name>Pierre Bouvry</name>
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        <name>Pierre Van</name>
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                <text>La peinture flamande  au XVIIème siècle</text>
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                <text>de la Ruwière, Jeanne</text>
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                <text>De Goeye, Michel</text>
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                <text>Mc Lean</text>
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            <description>An entity responsible for making the resource available</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="63464">
                <text>1957</text>
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            <description>An account of the resource</description>
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                <text>Nombreuses reproductions - couleurs de tableaux&#13;
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Photos : Mc Lean</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>20 X 28 cm</text>
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            <description>A language of the resource</description>
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                <text>Ouvrage imprimé</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>128 p.</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Fonds Centre Daily-Bul &amp; C°</text>
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        <name>Jeanne de la Ruwière</name>
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        <name>Michel De Goeye</name>
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        <name>Peinture flamande</name>
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          <name>ISBN</name>
          <description/>
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            <elementText elementTextId="63481">
              <text>978-972-95323-6-8 (FCG)</text>
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              <text>978-989-8618-78-8 Sistema Solar</text>
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          <name>Dépôt légal</name>
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              <text>399798/15</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="63471">
                <text>Todos os livros</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Castro, Lourdes</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="63473">
                <text>Gordo, Ana Paula</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="63474">
                <text>Fundaçao Calouste Gulbenkian</text>
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              <elementText elementTextId="63475">
                <text>Sistema Solar</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="63476">
                <text>2015</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="63477">
                <text>Catalogue d'exposition à la Fondation Gulbenkian&#13;
(09/07/2015 au 26/10/2015)</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="63478">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="79">
            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="63479">
                <text>160 p.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="63480">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
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    <tagContainer>
      <tag tagId="11790">
        <name>Ana Paula Gordo</name>
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      <tag tagId="11789">
        <name>Fondation Calouste Gulbenkian (Lisonne)</name>
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      <tag tagId="420">
        <name>Lourdes Castro</name>
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      <name>Publication</name>
      <description/>
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        <element elementId="111">
          <name>Dépôt légal</name>
          <description/>
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              <text>2013/ 5326/1                                                                                        </text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Circle of dreams</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>De Braekeleer, Catherine</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Van Bosterhaut, Marie</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Centre de la Gravure et de l'Image Imprimée-La Louvière</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An account of the resource</description>
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              <elementText elementTextId="63490">
                <text>Catalogue de l'exposition &lt;em&gt;Circle Dreams. David Lynch&lt;/em&gt; organisée au Centre de la Gravure et de l'Image Imprimée (La Louvière) du 23/02 au 19/05/2013. &lt;br /&gt;&lt;br /&gt;Textes : &lt;br /&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;em&gt;Circle of Dreams&lt;/em&gt; par Catherine De Braekeleer&lt;/li&gt;&#13;
&lt;li&gt;&lt;em&gt;Les courts métrages de David Lynch. De la peinture en mouvement à l'animation flash&lt;/em&gt; par Marie Van Bosterhaut&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="63491">
                <text>21 x 17 cm</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="63492">
                <text>fr</text>
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              <elementText elementTextId="63493">
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="63494">
                <text>Ouvrage imprimé</text>
              </elementText>
            </elementTextContainer>
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            <name>Medium</name>
            <description>The material or physical carrier of the resource.</description>
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              <elementText elementTextId="63495">
                <text>np&#13;
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="63496">
                <text>ACDB-DEB-0 000 364</text>
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          <element elementId="53">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>Le nom de David Lynch évoque tout d’abord le monde du cinéma. Ses films, inclassables, parmi lesquels &lt;em&gt;Elephant Man&lt;/em&gt;, &lt;em&gt;Lost Highway&lt;/em&gt;, &lt;em&gt;Mulholland Drive&lt;/em&gt;, ou encore la série &lt;em&gt;Twin Peaks&lt;/em&gt;, à l’ambiance mystérieuse et troublante, suscitent chez le spectateur une inquiétante étrangeté, et lui valent l’adjectif lynchien. &lt;br /&gt;L’exposition &lt;em&gt;David Lynch, estampes et courts métrages&lt;/em&gt; livre une parcelle de l’univers du cinéaste américain, fait de rêves et d’angoisses.</text>
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    <tagContainer>
      <tag tagId="12871">
        <name>Bénédicte du Bois d'Enghien</name>
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        <name>Catalogue d'exposition</name>
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      <tag tagId="3680">
        <name>Catherine de Braekeleer</name>
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      <tag tagId="2020">
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        <name>David Lynch</name>
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        <name>Jean-François Riquet</name>
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      <tag tagId="12872">
        <name>Patrick Duroux</name>
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          <name>Dépôt légal</name>
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                <text>Catalogue de l'exposition &lt;strong&gt;&lt;em&gt;Autour d'Achille Chavée&lt;/em&gt;&lt;/strong&gt;. Musée Ianchelevici (La Louvière), 18 décembre 1999 au 25 février 2000</text>
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                <text>"Je suis le grand seigneur d'une légende nue un gémeau allaité par la reine d'amour"</text>
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                <text>Béchet, Christine</text>
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                <text>Formery, Valérie</text>
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                <text>Degré, Jean</text>
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                <text>Thonet, Françoise</text>
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                <text>Hubin, Christian</text>
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                <text>Musée Ianchelevici</text>
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                <text>Ouvrage édité à l'occasion de l'exposition "Autour d'Achille Chavée" au Musée Ianchelevici à La Louvière du 18 décembre 1999 au 25 février 2000.&#13;
&#13;
</text>
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                <text>- Avant-propos de Michel Debauque et Jean Degré.&#13;
- Préface de Valérie Formery : "Tant va la plume au vent qu'elle finit par écrire un poème sur un nuage de papier vierge."&#13;
- Biographie et repères biographiques par Christine Béchet. &#13;
- Textes des contributeurs :&#13;
+ Christine Béchet : "Rassure-toi, mon ami, tu n'es pas mon ami."&#13;
+ Michel Host : "Contexte réaliste d'un surréaliste louviérois."&#13;
+ André Balthazar : "Je vais crever, Madame la Marquise."&#13;
+ Lourdes Terron Barbosa : "Achille Chavée : hermétisme et alchimie."&#13;
+ André Stas : "En souvenir d'Achille."&#13;
+ Françoise Thonet : "Achille Chavée, avocat-poète ou poète-avocat?"&#13;
+ Achille Béchet : "Achille Chavée."&#13;
+ Pol Bury : "Une giboulée d'éléphants rouges"&#13;
+ André Miguel :"Une oeuvre réaliste"&#13;
+ Jean-Pierre Verheggen : "Dernier hommage à Achille Chavée"&#13;
+ Robert Sabatier : "Chavée dans la poésie contemporaine"&#13;
+ Christian Hubin : "Marchons sur l'aphorisme"&#13;
&#13;
Nombreuse reproductions et photos des artistes cités et fac-similés de leur correspondance&#13;
 &#13;
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                <text>127 p.</text>
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                <text>LA LOUVIÈRE L'hommage de la cité des Loups Récits autour d'Achille Chavée&#13;
&#13;
Avocat, poète, militant politique, pionnier du mouvement surréaliste, Achille Chavée avait de multiples visages que tente de recomposer l'exposition qui se tient actuellement au Musée Ianchelevici à La Louvière (Le Soir de ce lundi 27 décembre). Mort en 1969, l'homme était aussi une figure de la cité des Loups, une longue silhouette solitaire en journée qui se faisait roi de la nuit, entouré du peuple de ses amis dans les bistrots une fois le soir tombé. Beaucoup à La Louvière se souviennent l'avoir connu, croisé, ont en poche mille anecdotes. Concentré de témoignages.&#13;
&#13;
Jean Degré (actuel échevin de la culture de La Louvière). Quand j'avais 12-13 ans, je fréquentais la piscine de La Louvière; en passant, il nous arrivait souvent de voir Chavée attablé au café du Bassin. Pour le groupe de gamins que nous étions, c'était un demi-fou; on disait de lui qu'il ferait mieux de défendre ses causes plutôt que d'être au bistrot.&#13;
&#13;
Aujourd'hui, comme responsable public, je me pose la question: ne passe-t-on pas à côté de «Chavées» actuellement? Avec en corollaire cette autre interrogation: Chavée serait-il resté Chavée s'il avait eu une reconnaissance publique?&#13;
&#13;
Jean Capiau(membre du groupe Tendance Contemporaine) . Chavée était à la fois un homme très cordial et très dédaigneux. Il lui arrivait de défendre l'indéfendable comme lorsqu'il décréta à propos d'un ami qui venait de quitter femme et enfants que «la passion ça se défend». Il avait un côté très folklorique et beaucoup de mépris pour son épouse, Simone; ce n'était pas toujours très drôle pour les amis. Mais c'était aussi un homme très intelligent avec une mémoire étonnante. Au jeu, il a parfois été chercher des écrits de Breton pour payer ses dettes. Professionnellement, il n'était pas nécessairement très apprécié de ses collègues. Ses méthodes de travail étaient... particulières. Je me souviens avoir un jour entendu le juge l'envoyer chercher au café l'Ard'n pour plaider dans l'affaire qui le concernait.&#13;
&#13;
Jean Louvet (dramaturge). Chavée attirait beaucoup les gens, il avait un grand charisme. Ce qui m'a impressionné personnellement, c'est qu'il est resté à La Louvière à une époque où tout le monde partait vers Bruxelles ou Paris. Lui a vécu entre le café du Bassin et l'Ard'n où les gens venaient le voir l'après-midi.&#13;
&#13;
Chavée était un homme increvable, avec une pêche incroyable. Il était très joueur... et mauvais perdant. Le poker à longueur de nuits dans les bistrots. Je ne l'ai pas vu moi-même mais il est parfois allé chercher un Magritte pour payer une dette de jeu! Il était aussi communiste et fut fédéraliste très jeune; il vendait des journaux dans la rue. Moi quand je suis venu à La Louvière, c'est parce que j'avais entendu parler de Chavée, de Pol Bury, de ce qui se passait dans la région. Quand je suis arrivé en 59, j'ai eu l'impression d'entrer dans l'histoire; on parlait de la guerre d'Espagne, de la lutte entre trotskistes et staliniens (Chavée était stalinien), des grèves de 60, du fédéralisme.&#13;
&#13;
Michel Debauque (bourg- mestre de La Louvière). J'ai connu Achille Chavée par l'intermédiaire d'André Balthazar avec qui j'étais à l'université ainsi que Jean Louvet. Je connaissais bien aussi Pol Bury. On se rencontrait souvent à l'Ard'n où nous passions boire un verre après les cours donnés à l'athénée de Morlanwelz. On entretient beaucoup de légendes autour de Chavée; moi, je ne l'ai jamais vu jouer au poker mais souvent il lui arrivait de dédicacer ses livres que des gens passaient lui apporter; des dédicaces originales, quasi des aphorismes.&#13;
&#13;
A La Louvière, il était considéré par les gens bien-pensants comme une personne peu fréquentable; on a dit qu'il avait un tempérament cynique. C'est faux; c'était un homme d'une grande sensibilité qui aimait bien se donner cet air-là mais pratiquait beaucoup l'autodérision. Comme lorsqu'il s'appelait «le plus grand poète de la rue Ferrer».&#13;
&#13;
Propos recueillis&#13;
&#13;
par Françoise Zonemberg.&#13;
&#13;
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                <text>Catalogue de l'exposition &lt;em&gt;Pol Bury : rencontres et connivences&lt;/em&gt; au Musée Ianchelevici (La Louvière), 20 avril au 16 juin 2002</text>
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                <text>Balthazar, André</text>
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                <text>Topor, Roland</text>
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                <text>Pirotte, Ernest</text>
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                <text>Tardieu, Jean</text>
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                <text>Ouvrage édité à l'occasion de l'exposition "Pol Bury, rencontres et connivences" au Musée Ianchelevici du 20/04/2002 au 16/06/2002.&#13;
Commissariat de Bernard Josse.&#13;
Textes notamment de Roland Topor, Ernest Pirotte et Jean Tardieu.&#13;
Nombreuses reproductions, photos, fac-similés des artistes cités dans cet ouvrage.</text>
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              <elementText elementTextId="63537">
                <text>21 x 25 cm</text>
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            <description>A language of the resource</description>
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              <elementText elementTextId="63543">
                <text>Fonds Centre Daily-Bul &amp; C°</text>
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        <name>André Balthazar</name>
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        <name>Musée Ianchelevici (La Louvière)</name>
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        <name>Pol Bury</name>
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              <text>2-8040-0095-8</text>
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                <text>Constant Malva : correspondance 1931-1969</text>
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                <text>Puissant, Jean</text>
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                <text>La deuxième édition comprend la correspondance avec Henri de Man, l’auteur de &lt;em&gt;Au-delà du marxisme&lt;/em&gt;. &lt;br /&gt;Préface de Michel Ragon, Postface de Jean Puissant.&lt;br /&gt;&lt;br /&gt;Edition établie et annotée par Yves Vasseur.</text>
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                <text>Un document majeur pour la compréhension de la vie, du parcours et de l’œuvre d’un authentique écrivain prolétarien. La deuxième édition comprend la correspondance avec Henri de Man, l’auteur de Au-delà du marxisme.</text>
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&#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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          <name>Valeur d'assurance</name>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>La moto de Tijl l'Espiègle [Dessin de Lionel Vinche]</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>Crayons de couleurs</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>© Centre Daily-Bul &amp; C°</text>
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                <text>Papier carton de récupération</text>
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        <element elementId="100">
          <name>Valeur d'assurance</name>
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          <elementTextContainer>
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            <description>A name given to the resource</description>
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                <text>Le lapin des frères [Dessin de Lionel Vinche]</text>
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            <description>The material or physical carrier of the resource.</description>
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                <text>Peinture</text>
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                <text>Encre</text>
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                <text>Crayons de couleurs</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>© Centre Daily-Bul &amp; C°</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="63742">
                <text>27,5 x 36cm</text>
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            <description>The nature or genre of the resource</description>
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                <text>Dessin</text>
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        <name>Encre</name>
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        <name>Lionel Vinche - dessin couleurs</name>
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          <name>Valeur d'assurance</name>
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            <description>An unambiguous reference to the resource within a given context</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Pendu aux pattes de l'éléphant [Dessin de Lionel Vinche]</text>
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            <name>Medium</name>
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                <text>Peinture</text>
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                <text>Un personnage aux cheveux jaunes se pendant aux pattes avant d'un éléphant. &lt;br /&gt;Fond principalement à l'encre avec une partie jaune en peinture sur le dessus. &lt;br /&gt;&lt;br /&gt;Annotation (recto) : Pendu aux pattes de l'éléphant Vinche 2018</text>
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                <text>Personnage assis avec chapeau au premier plan. À l'arrière, on suppose une cabine téléphonique avec un personnage féminin à l'intérieur. &lt;br /&gt;&lt;br /&gt;Annotations (recto) : La nana téléphonique et les ondes de la parole. Pour J. Meuris Boeck (je le retire) été 1975 chaud</text>
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                <text>© Centre Daily-Bul &amp; C°</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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collé sur un carton brun 25 x 37,5cm</text>
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          <name>Valeur d'assurance</name>
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            <name>Medium</name>
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