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Publication
Collection de l'éditeur
Collection chez l'éditeur
Revue Phantomas
N° dans la collection
Post-Ultime
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Phantomas numéro Post-Ultime
Creator
An entity primarily responsible for making the resource
Ensemble d'Auteur
Contributor
An entity responsible for making contributions to the resource
Havrenne , Marcel
Koenig, Théodore
Noiret, Joseph
Piqueray, Marcel
Piqueray, Gabriel
Simons, Henry
Quix, Eugène
Puttemans , pierre
jouffroy , Alain
Publisher
An entity responsible for making the resource available
Phantomas
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-07
Description
An account of the resource
Textes Traitant de Divers Sujets Relatifs a la Belgique
Subject
The topic of the resource
La Belgique
Format
The file format, physical medium, or dimensions of the resource
15x23
Language
A language of the resource
Fr
Identifier
An unambiguous reference to the resource within a given context
FPPB-R-PH-0 000 746
Abstract
A summary of the resource.
Sommaire<br /><ul><li>Avant-Propos / <em>Henri Simons</em> - p.3</li>
<li>Arbre Généalogique de la Belgique Sauvage /<em>Eugène Quix</em> - p.4</li>
<li>La Revue Phantomas : Un Fuégien aux Tuileries / <em>Pierre Puttemans</em> - p.5</li>
<li>Phantomas Sur La Sellette, et un peu à cheval /<em> Joseph Noiret</em> - p.15</li>
<li>Manifeste en service commandé - p.18</li>
<li>Anthologie - p.21</li>
<li>Introduction à la grève des Poètes Belges - p.53</li>
<li>Les Sept types en Or - p.57</li>
<li>Echos-Soupirs - p.83</li>
<li>Orbites et Orbitules - p.91</li>
<li>Aphorismes - p.93</li>
<li>Les Arts en Visite / Les visites en Art - p.97</li>
<li>Bibliographie des sept type en Or - p.135</li>
<li>Revue Amies - p.139</li>
</ul>
" L'aphorismose "
" L'écueuil des cravates "
" L'espace Oblique "
" La Grève des Poètes Belges "
" La Métamorose "
" La Mouche "
" La Vengeance d'une orpheline "
" La Vie a New-York "
" Le Caveau de famille "
" Le Célèbre ascensionniste "
" Le Colombophile Reveur "
" Le Fait accompli "
" Le Monde "
" Les Visages Communiquants "
" Lettres a Mon Moulin "
" Ma Soeur
" Mort Subite "
" Old Man River "
" On ferme "
" On ne s'enivre pas avec des etiquettes de flacons "
" Orbites et Orbitules "
" Orlando Furioso "
" Paternité Byzantine "
" Station Debout "
" Sur une Sculpture au nez Cassé "
" Un Pays d'Irréguliers "
" Un voyage vers le doubs "
"Arène Hirmoire "
"Mythe Pour une fable "
2005
Achille Chavée
Agatha Christie
Alain Borer
Alain Borer - Photographie
Alain Jouffroy
Aldo Van Eyck
Alfred Jarry
Alik Cavalière
Altamira
Amenophis
André Balthazar
André Blavier
André Blavier - photographie
André Frédérique
Antilles
Aristarkophilies
Aristote
Arizona
Armand Permantier
Armand Silvestre
Aubin pasque - photographie
Banque de France
Barnavaux
Bela Bartok
Belgique
Bernard Berenson
Bernard Palissy
Bois de La Cambre
Borgès
Bruxelles
Buenos-Aires
Byzance
Ca ira
Canada
Chantal Goya
Charles Perrault
Christian Dotremont
Christinshavn
Christophe Colomb
Chuck Berry
Claude Strebelle
Clément Pansaers
Cobra
Colombie
Copenhague
Cordillère des Andes
Corfou
Correspondance
D'Annunzio
Dadaïsme
Daemark
Daily-Bul
Dantzig
Darling Gill
Debussy
Denis Roche
Désiré Viardot
Diderot
Didier Devillez
Distances
Don Bayas
Don Quichotte
Duke Ellington
E.Lecomte - Photographe
Ecosse
Edda
Editions Subréaliste
Emile de Zondiche
Emilio Scanavino
Emmanuel Bove
Englebert Van Anderlecht
Enrico Baj
Etterbeek
Eugène Quix
Fernando Villalori
Fontainebleau
France
François Jacqmin
François Jacqmin - photographie
Frank-Lloyd Wright
Fred Lanzeberg
G.Thiry - Photographe
Gabriel Piqueray
Gaston Bachelard
Gaston Chaissac
Gastone Novelli
Geert Van Bruaene
Georges Claes
Gianluigi Buffon
Gianni Bertini
Grévisse
Gudmundur Erro
Guido Basi
Hallaj
Hamsun
Hanse
Heilige Maeght
Hélène Traumagine
Henri Pousseur
Henri Rousseau
Henri Simons
Henri-Floris Jespers
Henry Floris jespers
Hercule Poirot
Himalaya
Hindemith
I.P.Jacobsen
Ibsen
Inde
Ingres
Irène Hamoir
Italie
Ixelles
Jacob Teilhard
Jacques Meuris
Jacques Meuris - Photographie
Jacques Sojcher - Photographie
Jazz
Jean Avjil
Jean Dypréau
Jean Pfeiffer
Jean Ray
Jean Vodaine
Jean-Baptiste de Champaigne
Jean-Joseph Blafart
Jean-Michel Place
Jean-Michel Pochet
Jean-Pierre Verheggen
Jimmy Giuffre
Jimmy Hamilton
John Cage
Johnny Hodges
Jorge Luis Borges
Joseph Noiret
Joseph Noiret - photographie
Karlheinz Stockhausen
Kierkegaard
L'invention Collective
La Carte d'apres Nature
La Louvière
La Peninsule "
Lascaux
Lawrence Brown
Laxness
Le Centre Pompidou
Le Ciel bleu
Le Disque vert
Le Surrealisme revolutionnaire
Le Vocatif
Lénine
Les Allobroges
Les Deux Soeurs
Les Lèvres Nues
Les Voges
Lido Di Camaiore
Liège
Linné
Londres
Louis Scutenaire
Louvain
Luc Rémy
Luciano Berio
Madame Laclette
Maimonide
Mallarmé
Mansour
Marcel Allain
Marcel Broodthaers
Marcel Havrenne
Marcel Havrenne - photographie
Marcel Lecomte
Marcel Lecomte - photographie
Marcel Marien
Marcel Piqueray
Marcel Piqueray - Photographie
Marie
Martin Luther King
Martino Oberto
Matta
Maurice Wijckaert
Mauricio Kagel
Mesmer
Mexico
Mexique
Michel Migayrou
Michel-Ange
Michèle Blondeel
Mirabilia
Mogens Balle
Montbliart
Morstanhill
Moselle
Nabouzec
Nantes
Napoléon
Narcisse
Newport
Nicolas Plattemontagne
Noël Arnaud
North-Minch
Œdipe
Oelenschleger
Oesophage
Ornette Coleman
Paris
Pascal Bauduinet
Paul Bourgoignie
Paul Bourgoignie - photographie
Paul Colinet
Paul Colinet - photographie
Paul Joostens
Paul Kervan
Paul Klee
Paul Neuhuys
Paul-Louis Flouquet
Pierre Alechinsky
Pierre Pourveur
Pierre Puttemans
Pierre Souvestre
Pol Bury
Popocatepelt
Post-Ultime
Prague
Princeton
Quai Voltaire
R.D. Laing
Ralph Strondbak
Raoul Hausmann
Raoul Ubac
Ravel
Reine Elisabeth
René Magritte
René Micha
Resurrection
Revue L'estaminet
Revue Phantomas
Rhetorique
Rimbaud
Robert Escarpit
Robert Filiou
Robert Willems
Roberto Matta
Rutebeuf
Saint-Jacques-La-Boucherie
Samuel Beckett
San Tomas
Scotland yard
Serge Neuhuys
Serge Vandercam
Serge Vandercam - photographie
Sergio Dangelo - Photographie
Settignano
Soignies
Stan Kenton
Steve Houben
Strates
Strawinsky
Strundby
Surréalisme
Swedenborg
T. Tzara
Temps-Mélés
Thalassa
Théodore Koenig
Théodore Koenig - photographie
Thierry Neuhuys
Tiumpan Head
Tom Gutt
Torre Molinos
Tour Eiffel
U.Harder
Valerio Adami
Van Eyck
Varietés
Vautrin
Verviers
Villandry
Vincent Everarts
Vix
Voltaire
Wallonie-bruxelles
Wout Hoeboer
Wout Hoeboer - Photographie
Yang
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Journaux El Batia Moûrt Soû
Description
An account of the resource
1er numéro sorti en 1995
Date
A point or period of time associated with an event in the lifecycle of the resource
1995 - ...
Type
The nature or genre of the resource
Journal
Identifier
An unambiguous reference to the resource within a given context
FBMS - A
Abstract
A summary of the resource.
Pourquoi l'organe du "Batia mourt soû" précise-t-il sa dénomination par "journal de l'entre Haine et Trouille"? Tout d'abord, parce que le comité de rédaction a décidé tout en se limitant dans l'espace, de renoncer à l'universalité de ses propos tandis que ses membres se promettaient d'être moins présomptueux à l'avenir. Ensuite parce que tous les rédacteurs et dessinateurs vivent et s'ébattent dans cette région qui multiplie ses vallons entre les méandres des deux rivières aux noms significatifs : cette région qui semble depuis quelques décennies abandonnée de l'histoire et plongée dans un marasme économique de plus en plus flagrant; cette région animée par les grandes réjouissances publiques que restent les carnavals et les grèves et où les hommes politiques un peu las errent de vernissage en inauguration de travaux inutiles (ascenseur inachevé ou voies navigables qui se désespèrent de ne point l'être). <br /><br />Sensibles comme nous le sommes, nous éprouvons durablement les sentiments qu'évoquent les deux rivières. <br />Nous connaissons la haine car les journalistes, écrivains, critiques et artistes qui se plaisent à s'épancher dans ce journal se haïssent mutuellement avec entrain et se jalousent vicieusement. <br />Quant à la trouille, nous n'en avons qu'une : c'est qu'un individu mal intentionné ne nous attrait devant les tribunaux pour ironie malveillante (par exemple : Di Rupo, Lafosse, Debauque, de Fays, Ceuterick et tutti quanti). A l'avenir, nous comptons entr'autres, nous faire l'écho des rumeurs et potins qu'emportent les deux rivières au hasard de leurs détours et des antagonismes culturels et folkloriques (à quand une lutte à mort entre chinchins et hommes de paille d'une part et gilles de l'autre?) mais lorsque nous nous sentirons en mal de copie, notre imagination surchauffée nous permettra d'inventer l'événement.<br /><div style="text-align:right;">Frantisek Badul<br />Extrait de El Batia moûrt soû : le petit commerce au feu</div>
Publication
Collection de l'éditeur
Collection chez l'éditeur
El Batia Moûrt Soû
N° dans la collection
15
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Le 21ème siècle sera social !!! : Batia n° 15
Publisher
An entity responsible for making the resource available
El Batia Moûrt Soû
Date
A point or period of time associated with an event in the lifecycle of the resource
1999-05-27
Language
A language of the resource
fr
Type
The nature or genre of the resource
Journal
Identifier
An unambiguous reference to the resource within a given context
FBMS-J-0 000 230
Creator
An entity primarily responsible for making the resource
Poliart, Serge
Table Of Contents
A list of subunits of the resource.
<span>Contient les </span><span style="text-decoration: underline;"><strong>articles</strong></span><span><span><span><span> suivants :<br /><br /><strong>Editorial :</strong> <br /></span></span></span></span>
<ul>
<li>Opération Othello sur les balkans / Christian Duray - p. 2</li>
<li><span><span><span>Construction pratique de la machine à gagner les élections / Clodius Bergzoon - p. 2</span></span></span></li>
<li><span><span><span><span><span><span>Brèves de beuglant - p. 2</span></span></span></span></span></span></li>
</ul>
<strong>Echo Louviérois : </strong><br />
<ul>
<li><span><span><span><span><span><span><span><span><span>La Louvière, Centre-ville, centre de vie / Frantisek Badul - p. 3</span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span>L'histoire vraie du Carnaval de La Louvière / Philmou - p. 3</span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span>Ceci n'est pas un Herregodts - Dans le village de Philippe Busquin - Jean-Pierre Denefve - Nouvelle du Front Culturel louviérois - p. 3</span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span>Grand concours "Dr. Dupont" - Député permanent - p. 3</span></span></span></span></span></span></span></span></span></li>
</ul>
<span><span><span><span><span><strong>Le Contre de la Haine : </strong><br /></span></span></span></span></span>
<ul>
<li>La véritable histoire du hollandais volant / Frantisek Badul - p. 4</li>
</ul>
<span><span><span><span><span><strong>L'oeil de boeuf : </strong><br /></span></span></span></span></span>
<ul>
<li>La critique dard de Xavier-Arnaud Cerbay / X.-A. Cerbay - p. 5</li>
<li><span><span><span><span>Cheval le dire à tout le monde / A. Verhelle d'Haltonne - p. 5</span></span></span></span></li>
<li><span><span><span><span><span><span><span><span>L'art divise - p. 5</span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span>Interview fictive de notre maréchal - p. 5</span></span></span></span></span></span></span></span></span></span></span></span></li>
</ul>
<span><span><span><span><span><strong>Haine et Trouille : </strong><br /></span></span></span></span></span>
<ul>
<li>Refuge, mon beau souci / Sam Ovar - p. 6</li>
<li><span><span><span><span>Brèves biesses & Biesses brèves / Ray Voltay - p. 6</span></span></span></span></li>
<li><span><span><span><span>Petite fiction d'avant-guerre pour bien dormir en attendant ... / Merdul - p. 7</span></span></span></span></li>
<li><span><span><span><span>Guerre des Balkans : choisir son camp ! - p. 7</span></span></span></span></li>
</ul>
<span><span><span><span><span><strong>Bas les masques :</strong> <br /></span></span></span></span></span>
<ul>
<li>Culture montoise / Dorothée - p. 8</li>
<li><span><span><span><span>La fumée blanche sent le soufre / Ph. Moulin -p. 8</span></span></span></span></li>
<li><span><span><span><span>Le Grand Hornu - p. 8</span></span></span></span></li>
</ul>
<span><span><span><span><span><strong>Le Feuilleton du Batia (suite) :</strong><br /></span></span></span></span></span>
<ul>
<li>Camalaça le pornographe (ou la véritable histoire du Festival porno de Mons) - 3ème épisode - p. 10</li>
<li><span><span><span><span>Un lecteur nous écrit - a propos de l'article L'homo soviéticus de Frantisek Badul - p. 10</span></span></span></span></li>
</ul>
<span><span><span><span><span>A Hue et a dia<br /><br />Contient les </span><span style="text-decoration: underline;"><strong>illustrations</strong></span><span><span><span> suivantes :<br /></span></span></span></span></span></span></span>
<ul>
<li>Couverture / Serge Poliart</li>
<li><span><span><span><span><span><span>Le déjeuner / Serge Poliart - p. 2</span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span>Dessin / Drumel - p. 2</span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Le vide peut nous séduire / Michel Desaer - p. 2</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Le Docteur Degré (Echevin de la culture) dégustant une cuisse d'artiste peintre subventionné à la sauce du ministère / Serge Poliart - p. 3</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Carnaval / Bertrand Gobbaerts - p. 3</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Dessins de Michel Desaer - p. 4</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Autocar nommé "Mons" surpeuplé / Serge Poliart - p. 5</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Le progrès de la médecine / ? - p. 5</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Dessin /Michel Jamsin - p. 5</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Home ! / Cossu - p. 6</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Scène de cimetière / Serge Poliart - p. 7</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Diable / Drumel - p. 7</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Photo-montage / Alain Wery - p. 8</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Dessin / J.p. Delvaux</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Vide par ici, Vide par là-bas / Bertrand Gobbaerts - p. 8</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>La vie des catholiques : les noces de Cana / Drumel - p. 9</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Sérigraphie du Doudou / Drumel et Y. Amateïs - p. 9</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Marie, toujours vierge / Eric Ledune - p. 10</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Dessin / Michel Desaer - p. 10</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
<li><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span><span>Photo Via Gra / Philippe Moulin - p. 10</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></li>
</ul>
<span><span><span><span><span><span><span><br /><br /></span></span></span>Contient les <span style="text-decoration: underline;"><strong>aphorismes</strong></span> suivants : <br /></span></span></span></span>
<ul>
<li>Procès aux Assises de Mons du proxénétisme carolo. Tout va bien, l'opération Othello continue / Christian Duray - p. 2</li>
<li>Agé et gourmand, il lui arrive de rêver à de somptueux repas. Prévoyant, il dort avec son dentier / Max Laire - p. 3</li>
<li>Les méchants connaissent certainement quelque chose que les bons ignorent / W. Allen - p. 4</li>
<li>Du perpétuel solliciteur, Busquin disait à propos de Peletti : <em>Quel drôle d'oiseau que celui là qui a passé sa vie dans une cage d'escalier</em> - p. 5</li>
<li>Il y a longtemps que nous sommes arrivé au bord de nos ongles / Scutenaire - p. 6</li>
<li>Ma mère m'a appris assez tôt à aimer les animaux, avec une recette bien à elle en commençant par une escalope de veau / Max Laire - p. 7</li>
<li>On a bien froid près de la chaleur humaine / Claude Bauwens - p. 8</li>
<li>L'Art, c'est le trouille, dit un artiste / Théodore Koenig - p. 9</li>
</ul>
A. Verhelle d'Haltonne
Averell
Bertrand Gobbaerts
Christian Duray
Christine Simonis
Claudine Ruelle
Claudio Bernardo
Clodius Bergzoon
Cossu
Dorothée
Drumel
Entreprises Boël
Eric Ledune
Festival du Film d'Amour (Mons)
Frans Badot
Gisèle Marechal
J.P. Delvaux
Jean Degré
Jean-François Escarmelle
Jean-Pierre Denefve
Joseph Ghin
Kierkegaard
Louis Michel
Max Laire
Merdul
Michel Debauque
Michel Desaer
Michel Jamsin
Philippe Busquin
Philippe Degeneffe
Philippe Moulin
Pierre Dupont
Pol Authom
Ray Voltay
Roland Debodt
Sam Ovar
Serge Poliart
Urbain Herregodts
Valérie Formery
X.-A. Cerbay
Xavier Canonne